Death in Dublin During the Era of James Joyce’s Ulysses

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A01=Patrick Callan
Author_Patrick Callan
burial customs history
Category=DSA
Category=DSK
Category=NHD
Category=NHTB
cemetery studies
death rituals Ireland
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Irish funeral traditions analysis
memorialisation urban context
mortuary practices research
social stratification health

Product details

  • ISBN 9781032850122
  • Weight: 700g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Jun 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The funeral of Paddy Dignam in James Joyce’s Ulysses serves as the pivotal event of the ‘Hades’ episode. This volume explores how Dignam’s interment in Glasnevin Cemetery allowed Joyce the freedom to consider the conventions, rituals and superstitions associated with death and burial in Dublin.

Integrating the words and characters of Ulysses with its figurative locale, the book looks at the presence of Dublin in Ulysses, and Ulysses in Dublin. It emphasises the highly visible public role assigned to death in Joyce’s world, while also appreciating how it is woven into the universe of Ulysses. The study examines the role of Glasnevin Cemetery – where the Joyce family plot was opened in 1880 and remained in use for eight decades – as well as the social and medical problems associated with life in Dublin, a city divided by class, status, wealth and health. Nineteen burials took place in Glasnevin on 16 June 1904, and the analysis of this group illuminates the role of undertakers and insurers, along with the importance of memorialisation.

This book is an important contribution to Joyce and Irish studies, as well as to international studies related to the treatment of the dead body and the development of garden cemeteries.

Patrick Callan is Visiting Research Fellow at Trinity College Dublin. His work on Ulysses, and the role of radio in Joyce’s work, has appeared in the James Joyce Quarterly (2021), the Historical Journal of Film, Radio and Television (2019), and the Dublin James Joyce Journal (2018–20).

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