Death, Time and Mortality in the Later Novels of Don DeLillo

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A01=Philipp Wolf
Author_Philipp Wolf
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Category=JHBZ
Common Language
contemporary American fiction
cultural mortality studies
Deep Space
Digital Immortality
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Federal Bureau Of Investigation
Heinz Bude
Hitler Studies
Honey Dew Melons
Klara Sax
Legendary Psychasthenia
Literal Immortality
literary theory
media and technology impact
Military Torture
Nabokov's Pale Fire
Nabokov’s Pale Fire
Natura Morte
Outstanding Favorite
philosophical analysis of DeLillo novels
Point Omega
Proximal Defenses
psychological responses to death
Radical Cancellation
Religious Congregations
Secret Cure Alls
Suggestive Narratives
Teilhard De Chardin
temporality and transience
Terror Management
Tv Feature
Vice Versa
Young Man

Product details

  • ISBN 9781032267951
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book offers the first systematic study of death in the later novels of Don DeLillo. It focuses on Underworld to The Silence, along with his 1984 novel White Noise, in which the fear of death dominates the protagonists most hauntingly. The study covers eight novels, which mark the development of one of the most philosophical and prestigious novelists writing in English.

Death, in its close relation to time, temporality and transience, has been an ongoing subject or motif in Don DeLillo’s oeuvre. His later work is shot through with the cultural and sociopsychological symptoms and responses death elicits. His "reflection on dying" revolves around defensive mechanisms and destruction fantasies, immortalism and cryonics, covert and overt surrogates, consumerism and media, and the mortification of the body. His characters give themselves to mourning and are afflicted with psychosis, depression and the looming of emptiness.

Yet writing about death also means facing the ambiguity and failing representability of "death." The book considers DeLillo’s use of language in which temporality and something like "death" may become manifest. It deals with the transfiguration of time and death into art, with apocalypse as a central and recurring subject, and, as a kind of antithesis, epiphany.

The study eventually proposes some reflections on the meaning of death in an age fully contingent on media and technology and dominated by financial capitalism and consumerism. Despite all the distractions, death remains a sinister presence, which has beset the minds not only of DeLillo’s protagonists.

Philipp Wolf is an adjunct professor of English and American literature at the University of Giessen in Germany (Hesse). He has widely published on early modern literature, modernist and postmodernist literature, as well as on theory.

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