Debris

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21st Century
A01=Daniel Huws
Author_Daniel Huws
British
Category=DCC
Category=DCF
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Lyric
Poet
Poetry
Ted Hughes
Translations
Wales
Welsh

Product details

  • ISBN 9781800175228
  • Dimensions: 135 x 216mm
  • Publication Date: 25 Sep 2025
  • Publisher: Carcanet Press Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Debris collects poems from Daniel Huws' first two books, Noth (1972) and The Quarry (1999), alongside a substantial set of new poems and translations, and a few occasional poems.

Huws is now ninety-three and, while this is only his third collection of poems, Debris justifies Daniel Weissbort's comment in PN Review: 'one difficulty in reviewing Huws is precisely that he never wrote, or at least released, a dud poem.' Huws' poems are true lyrics, seeming to emerge out of often difficult or obscure moments whose import and meaning only come into view as they find their brief lyric shape.

Huws' lifelong friend, Ted Hughes - they studied together at Cambridge in the 1950s - wrote of his poems that 'There is nothing fashionable about [Huws' poems]. The all-inclusive, wholly human, wholly musical, final simplicity of the oldest folk-rhymes and songs was the ultimate aim of such a poet as Yeats... Anyone with an ear to hear will recognise the genuine substance and accent of that poetry in Daniel Huws.' Ted Hughes is himself the subject of a witty, newly published occasional poem dedicated to Hughes on his accession to the role of British poet laureate.
Daniel Huws was born in London in 1932 and was raised and educated in both England and Wales. After graduating in Archaeology and Anthropology at Cambridge University - where he was a contemporary and friend of the poet Ted Hughes - Huws followed a course of further study in archives at the University of London. He is acknowledged as the greatest scholar of Welsh manuscript poetry of the past century, and his own poetry includes Noth (Secker, 1972) and The Quarry (Faber, 1999).

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