Debt and Redemption in the Blues

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A01=Julia Simon
African American musicians
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Albert Collins
Author_Julia Simon
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B. B. King
Bessie Smith
Big Bill Broonzy
Blind Lemon Jefferson
blues music
Category1=Non-Fiction
Category=AVGK
Category=AVLP
Category=HBJK
commodification
COP=United States
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economic relations
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eq_music
eq_nobargain
eq_non-fiction
history and criticism
Kirk Fletcher
Language_English
lyrical representations
Muddy Waters
PA=Available
Price_€50 to €100
PS=Active
Race relations
Racialized capitalism
social conditions
softlaunch
sound recording industry
writing and publishing

Product details

  • ISBN 9780271094953
  • Weight: 513g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Apr 2023
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This volume explores concepts of freedom and bondage in the blues and argues that this genre of music explicitly calls for a reckoning while expressing faith in a secular justice to come.

Placing blues music within its historical context of the post-Reconstruction South, Jim Crow America, and the civil rights era, Julia Simon finds a deep symbolism in the lyrical representations of romantic and sexual betrayal. The blues calls out and indicts the tangled web of deceit and entrapment constraining the physical, socioeconomic, and political movement of African Americans. Surveying blues music from the 1920s to the early twenty-first century, Simon’s analyses focus on economic relations, such as sharecropping, house contract sales, debt peonage, criminal surety, and convict lease. She demonstrates how the music reflects this exploitative economic history and how it is shaped by commodification under racialized capitalism. As Simon assesses the lyrics, technique, and styles of a wide range of blues musicians, including Bessie Smith, Blind Lemon Jefferson, Big Bill Broonzy, Muddy Waters, B. B. King, Albert Collins, and Kirk Fletcher, she argues forcefully that the call for racial justice is at the heart of the blues.

A highly sophisticated interpretation of the blues tradition steeped in musicology, social history, and critical-cultural hermeneutics, Debt and Redemption not only clarifies blues as an aesthetic tradition but, more importantly, proves that it advances a theory of social and economic development and change.

Julia Simon is Professor of French and is on the faculty of the Cultural Studies Graduate Group at the University of California, Davis. She is the author of five books, including The Inconvenient Lonnie Johnson: Blues, Race, Identity, also published by Penn State University Press.

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