A01=Alexandra Kieffer
Age Group_Uncategorized
Age Group_Uncategorized
Author_Alexandra Kieffer
automatic-update
Category1=Non-Fiction
Category=AVC
Category=AVGC5
Category=AVH
Category=AVLA
Category=AVN
Category=AVP
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=0
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch
Product details
- ISBN 9780190847241
- Weight: 567g
- Dimensions: 236 x 165mm
- Publication Date: 11 Jul 2019
- Publisher: Oxford University Press Inc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Debussy's Critics: Sound, Affect, and the Experience of Modernism explores the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences in Western Europe around the turn of the twentieth century. In the midst of a sea change in conceptions of the human person, the critics who wrote about Debussy's music in the Parisian press-continually returning to this music's nebulous relationship to sensation and sensibilité-attempted to articulate a music aesthetic appropriate to the fully embodied, material self of psychological modernism. While scholarship on French music in this period has often emphasized its affinities with other art forms, such as Impressionist painting and Symbolist poetry, Debussy's Critics demonstrates that a preoccupation with the specifically sonic materiality of Debussy's music, informed by late nineteenth-century scientific discourses on affect, perception, and cognition, was central to this music's historical intervention. Foregrounding the dynamic exchange between sounds and ideas, this book reveals the disorienting and bewildering experience of listening to Debussy's music, which compelled its early audiences to reimagine the most fundamental premises of the European art-music tradition.
Alexandra Kieffer is Assistant Professor of Musicology at Rice University. She received her Ph.D. from Yale University in 2014 and spent the 2014-2015 academic year as an Andrew W. Mellon Postdoctoral Fellow in the Humanities at Stanford University. Her work explores intersections between musical culture and physiologies of affect, listening, and sensation in Belle Époque France.
