A01=Francois De Medicis
A01=Steven Huebner
A32=August Sheehy
A32=Barbara L. Kelly
A32=Boyd Pomeroy
A32=Caroline Rae
A32=David Grayson
A32=David J. Code
A32=Denis Herlin
A32=Dr. Caroline Rae
A32=Dr. Francois de Medicis
A32=Francois de Medicis
A32=Prof. Denis Herlin
Age Group_Uncategorized
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Artistic Expression
Author_Francois De Medicis
Author_Steven Huebner
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B01=Dr. Francois de Medicis
B01=Francois de Medicis
B01=Steven Huebner
Category1=Non-Fiction
Category=AVA
Compositions
COP=United States
Debussy
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
French Music
Interpretation
Language_English
Modernism
Music
Musical Analysis
Musicology
PA=Available
Price_€100 and above
PS=Active
Resonance
softlaunch
Product details
- ISBN 9781580465250
- Weight: 1122g
- Dimensions: 152 x 229mm
- Publication Date: 31 Dec 2018
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: US
- Product Form: Hardback
- Language: English
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Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.
The music of Claude Debussy has always been widely beloved by listeners and performers alike, more perhaps than that of any of the other pioneers of musical modernism. However rich in itself, his creative output also participated,and continues to participate, in a network of cultural connections, the scope and meaning of which can only be gleaned through multiple interpretive frameworks. Debussy's Resonance offers twenty new studies by some of themost active and respected English- and French-language scholars of French music. The book treats a large swath of the composer's music, from previously unexplored mélodies of his early years to late pieces such as the ballet Jeux and the Douze Études, and takes into consideration the numerous contexts that helped shape the works and the different ways that musicologists and critics have explained them.
CONTRIBUTORS: Katherine Bergeron, Matthew Brown, David J. Code, Mark DeVoto, Michel Duchesneau, David Grayson, Denis Herlin, Jocelyn Ho, Roy Howat, Steven Huebner, Julian Johnson, Barbara L. Kelly, Richard Langham Smith, Mark McFarland, François de Médicis, Robert Orledge, Boyd Pomeroy. Caroline Rae, Marie Rolf, August Sheehy
FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal. STEVEN HUEBNER is Professor of Music at McGill University.
STEVEN HUEBNER is the James McGill Professor (musicology) at the Schulich School of Music, McGill University, Quebec, Canada. BARBARA L. KELLY is Professor of Music, University of Leeds MARIE ROLF is Senior Associate Dean of Graduate Studies and Professor of Music Theory at the Eastman School of Music, Rochester NY. MARK MCFARLAND is Associate Professor in the School of Music at Georgia State University. Matthew Brown is Professor of Music Theory at the Eastman School of Music. STEVEN HUEBNER is the James McGill Professor (musicology) at the Schulich School of Music, McGill University, Quebec, Canada.
