Decolonial Imaginaries in Palestinian Experimental Film and Video

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A Magical Substance Flows into Me
A Sketch of Manners
A01=Kristin Lene Hole
Author_Kristin Lene Hole
Avery Gordon
Basma Alsharif
biopolitics
Bonnie Honig
Catachresis
Category=ATFR
Category=JBCC1
Category=JBCT
Category=JBSF1
Countermapping
Decolonial historiography
Decolonial imaginaries
Diaspora
Discursive struggle
drone footage
Dystopias
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experimental film methodologies
Female filmmakers
feminist theory
Foragers
Gender
Historiography
Homi K. Bhabha
Hybridity
Joan Wallach Scott
Jumana Manna
Larissa Sansour
Laurelyn Whitt
Memory
memory studies
Middle East studies
neocolonial paternalism
non-Western ecologies
Palestine
Palestinian cinema
Palestinian film
Palestinian futurisms
Post-nationalism
post-Third-World-ism
Postnationalism
Ramachandra Guha
Steven Salaita
Svalbard Seed Vault
Tani Barlow
transnational identities
Trauma
vicarious trauma
visual culture analysis
Wild Relatives
Women filmmakers

Product details

  • ISBN 9781032755397
  • Weight: 420g
  • Dimensions: 138 x 216mm
  • Publication Date: 24 Apr 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Decolonial Imaginaries in Palestinian Experimental Film and Video focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics, post-nationalism and gender, non-Western ecologies, trauma and memory, diasporic experiences of space, biopolitics, feminist historiography and decolonial temporalities.

Positing that these filmmaker-artists radically counter dominant media images of Palestinians, deessentializing Palestinian identity while opening up history and the present to new potentialities and ways of imagining Palestinian futures, Decolonial Imaginaries in Palestinian Experimental Film and Video argues that Palestinian experience is urgently relevant to all of us. As the works address issues of food availability and land use, environmental collapse and forced displacement, Hole explores how such films generate hope, imagine impossible possibilities and offer inspiration and wisdom when it comes to losing and rebuilding.

Addressing a fundamentally transnational and understudied area, this book will resonate with readers working in the areas of film and media studies, Palestinian cultural studies, historiography, Middle East studies and experimental film.

Kristin Lené Hole is Associate Professor of Film Studies in the School of Film at Portland State University, USA. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy.

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