Decolonization and Diversity in Contemporary Photography

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A01=Qiana Mestrich
art education research
Author_Qiana Mestrich
Category=AB
Category=AJ
Contemporary Photography
Culture
Decolonization
Discrimination
Diversity
Dodge & Burn
Dodge and Burn
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
interviews with artists of colour
minority photographers
photographic historiography
Politics
postcolonial visual analysis
Qiana Mestrich
race and identity art
Representation
Underrepresented artists
visual culture studies

Product details

  • ISBN 9781138955929
  • Weight: 600g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Mar 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Focusing on fine art and documentary photography, this book provides a racially diverse and culturally inclusive version of photography history and its contemporary manifestations.

Who’s documenting the evolution of photography as it is happening now from an inclusive, transnational perspective? This is the challenge this book aims to address. The collection is the print manifestation of the Dodge and Burn art photography blog actively published from 2007 to 2018, including a selection of 35 interviews with photographers and art professionals from underrepresented communities—those of African, Asian, Latinx/é and Native American heritage. It captures fascinating accounts of artists of color and the broad range of their challenges and successes: aspirations, photo series and photobooks, earning a living, discrimination, photography education, photographic practice, socio-political conversations, and more.

Decolonization and Diversity in Contemporary Photography is a powerful collection that celebrates and exhibits the talents of underrepresented artists. It is essential reading for both photography students and aspiring photographers.

Qiana Mestrich is an interdisciplinary artist, photo historian, educator and writer. Born and raised in New York City to immigrant parents from Panama and Croatia, Mestrich's autobiographical artwork and research engages issues around Black, mixed-race identity, motherhood/mothering and women’s corporate labor.

A graduate of the ICP-Bard College MFA in Advanced Photographic Practice, Mestrich received her B.A. with a concentration in photography from Sarah Lawrence College. She was an adjunct faculty in photography and social media at the Fashion Institute of Technology (SUNY). In 2022, Mestrich was awarded the Magnum Foundation Counter Histories grant for her @WorkingWOC Instagram archive project on women of color in the corporate workplace.

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