Deep Fakes

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AI Technology
Algorithm
algorithmic media ethics
audiovisual misinformation
Browser Plug Ins
Category=JHB
Category=UBL
Clips
computational media studies
Data
Deep Fake
Deep Learning Algorithm
digital image authentication
Enslaved Person
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Evidence
Fake News
FPI
Influence Campaigns
Influence Operations
Information Disorder
Legacy Media Institutions
Machine Learning
Machine Learning Models
Machine Learning Programs
MIT's Center
MIT’s Center
National Geographic
Photograph
photorealistic media verification tools
Post-facts Era
Public Engagement
Revenge Porn
Social Media Platforms
synthetic content detection
Synthetic Media
Tom Cruise
Traditional Media Organizations
Truth
Vice Versa
Violate
visual epistemology

Product details

  • ISBN 9781032002606
  • Weight: 320g
  • Dimensions: 138 x 216mm
  • Publication Date: 02 Mar 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Deep Fakes: Algorithms and Society focuses on the use of artificial intelligence technologies to produce fictitious photorealistic audiovisual clips that are indistinguishable from traditional video media.
For over a century, the indexical relationship of the photographic image, and its related media of film and video, to the scene of capture has served as a basis for truth claims. Historically, the iconicity of these images has featured a causal traceback to actual light rays in a particular time and space, which were fixed by chemical reactions or digital sensors to the resultant image. Today, photorealistic audiovisual media can be generated from deep learning networks that sever any connection to an actual event. Should society instantiate new regimes to manage this new challenge to our sense of reality and the traditional evidential capacities of the ‘mechanical image’? How do these images generate information disorder while also providing the basis for legitimate tools used in entertainment and creative industries?
Scholars and students from many backgrounds, as well as policymakers, journalists and the general reading public, will find a multidisciplinary approach to questions posed by deep fake research from Communication, International Studies, Writing and Rhetoric.

Michael Filimowicz is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University. He has a background in computer-mediated communications, audiovisual production, new media art and creative writing. His research develops new multimodal display technologies and forms, exploring novel form factors across different application contexts including gaming, immersive exhibitions and simulations.