Defence of Tradition in Brazilian Popular Music
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A01=Sean Stroud
author
Author Interview
Author_Sean Stroud
bossa
Bossa Nova
brasileira
Brazilian Modernist Movement
Brazilian Music
Brazilian Music Industry
Brazilian Popular Music
buarque
Category=AVL
chico
Chico Buarque
cultural imperialism
De Pesquisas
English Folk Song Society
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
folklore preservation
Foreign Record Companies
guarda
Hermano Vianna
interview
jovem
Jovem Guarda
Latin American Music Review
Musical Nationalism
Nacional De Cultura
National Art Music
national identity theory
noel
Noel Rosa
PCN.
Popular Brasileira
Popular Music
Povo Brasileiro
regional music mapping
Regional Popular Music
rosa
Semana De Arte Moderna
Som Livre
state cultural policy
Tanto Tempo
televised song festival analysis
television music studies
Product details
- ISBN 9780754663430
- Weight: 580g
- Dimensions: 156 x 234mm
- Publication Date: 28 May 2008
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Sean Stroud examines how and why Música Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail. Stroud analyses the increasingly close relationship that has developed between television and popular music in Brazil with particular reference to the post-1972 televised song festivals. He goes on to consider the impact of the Brazilian record industry in the light of theories of cultural imperialism and globalization and also evaluates governmental intervention relating to popular music in the 1970s. The importance of folklore and tradition in popular music that is present in both Mário de Andrade and Marcus Pereira's efforts to 'musically map' Brazil is clearly emphasized. Stroud contrasts these two projects with Hermano Vianna and Itaú Cultural's similar ventures at the end of the twentieth century that took a totally different view of musical 'authenticity' and tradition. Stroud concludes that the defence of musical traditions in Brazil is inextricably bound up with nationalistic sentiments and a desire to protect and preserve. MPB is the musical expression of the Brazilian middle class and has traditionally acted as a cultural icon because it is associated with notions of 'quality' by certain sectors of the media.
Sean Stroud completed his PhD in Brazilian popular music at King's College, University of London in 2005. He recently concluded a year of post-doctoral research at the University of São Paulo, studying the Vanguarda Paulista musical movement of the early 1980s. He has published several articles on the subject of Brazilian popular music and he is also a contributor to The Babel Guide to Brazilian Fiction in English Translation (Boulevard, 2001). seanjpstroud@yahoo.co.uk
