Degas' Little Dancer Aged Fourteen

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A01=Dr. Gregory Hedberg
A01=Gregory Hedberg
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Age Group_Uncategorized
Author_Dr. Gregory Hedberg
Author_Gregory Hedberg
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Category1=Non-Fiction
Category=ACVT
Category=AFKB
Category=AGA
Category=AGB
Category=AGH
COP=Germany
Degas sculpture
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Duchamp
Edgar Degas
eq_art-fashion-photography
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eq_isMigrated=2
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great new art
Hebrard Bronze
impressionist
Joris-Karl Huysmans
Language_English
Little Dancer
Manet
Modern Art
modern art celebration
modern art history
modern art influence
modern art innovations
modern art sculpture
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Parisian art
Price_€50 to €100
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radical artwork
Sarget
Seurant
softlaunch

Product details

  • ISBN 9783897903920
  • Weight: 2060g
  • Dimensions: 230 x 305mm
  • Publication Date: 26 Sep 2016
  • Publisher: Arnoldsche
  • Publication City/Country: DE
  • Product Form: Hardback
  • Language: English
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A recently discovered plaster of Little Dancer, Aged Fourteen is critically challenging our understanding of Edgar Degas' most famous work. Documentary and technical evidence confirm that the plaster was cast from Degas' Little Dancer before the wax sculpture was extensively reworked after 1903. The plaster thus records Degas' wax as it appeared when it shocked the Parisian art world at the sixth Impressionist exhibition of 1881. It reveals a far more revolutionary work than the reworked Little Dancer wax and the posthumous Hébrard bronzes we know today. The plaster shows why Joris-Karl Huysmans, in 1881, raved that Degas' Little Dancer was "the only truly modern attempt I know of in sculpture" and why the work left Whistler in a state of near delirium. The plaster reveals Degas at his most innovative by introducing a radical idea of posing a lowly 'opera rat' as a revered figure by giving her an iconic pose, then locking her into a square vitrine, thus emphasising her symmetrical, four-sided stance. It is now clear that in his Little Dancer Degas anticipated radical ideas that came to define key aspects of modern art, dramatically impacting his most noted peers, including Whistler, Manet, Seurat and Sargent. Even twentieth-century masterpieces by Duchamp, Giacometti, Oldenburg, Warhol and Hirst reflect, albeit indirectly, Degas' masterful innovations.

Formerly Curator of Paintings at the Minneapolis Institute of Arts and Chief Curator of the Wadsworth Atheneum, Dr Hedberg is Senior Consultant for European Art at Hirschl & Adler Galleries, New York. He has contributed to numerous academic publications, including A New Look at Degas' Sculpture, Festschrift, in recognition of Professor Colin Eisler of the Institute of Fine Arts, New York University.

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