Degas Plasters

Regular price €97.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Gregory Hedberg
Age Group_Uncategorized
Age Group_Uncategorized
Art
ArtCollection
Artists
Author_Gregory Hedberg
automatic-update
Category1=Non-Fiction
Category=ACV
Category=AFKB
Category=AGA
Category=AGB
Category=AGC
COP=Germany
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
FrenchArtists
Impressionist
Language_English
PA=Available
PlasterFigures
PlasterSculptures
PlasterWax
Price_€50 to €100
PS=Active
softlaunch
ValsuaniFoundry

Product details

  • ISBN 9783897906730
  • Weight: 2422g
  • Dimensions: 230 x 305mm
  • Publication Date: 25 Jan 2024
  • Publisher: Arnoldsche
  • Publication City/Country: DE
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

In 1955 seventy-four original plasters recording sculptures by Edgar Degas (1834–1917) were moved to the old Valsuani foundry in Paris only to reappear in France in 2004. These plasters are now being published for the first time, presenting new documentary and physical evidence regarding their dating following an in-depth analysis into the condition of Degas’s waxes at the time of his death. Technical and documentary evidence now proves that as many as half of the serialised “Hébrard” Degas bronzes now held in museum and private collections around the world were in fact cast at the Valsuani foundry in the 1950s and 1960s - long after the Hébrard foundry closed in 1935/36. All of the now cleaned 74 Degas plasters are recorded in full colour illustrations. The detailed appendix, which can be accessed via a QR code, provides additional information on the objects and is designed as a scholarly catalogue raisonné.

Gregory Hedberg Ph.D. is a noted authority on European art of the 19th and early 20th centuries. He has published books and articles, presented symposium papers, and organised museum exhibitions on the creative processes of Michelangelo, Millet, Albert Moore, Léger, and Degas. He also organised major museum exhibitions on British Victorian art and German Neue Sachlichkeit painting. After graduating from Princeton University, he received his Ph.D. in art history from the Institute of Fine Arts of New York University.

More from this author