Deleuze and Lola Montès

Regular price €22.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Dr Richard Rushton
A01=Richard Rushton
Age Group_Uncategorized
Age Group_Uncategorized
Author_Dr Richard Rushton
Author_Richard Rushton
automatic-update
Category1=Non-Fiction
Category=APFA
Category=APFB
Category=ATFA
Category=ATFB
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781501345753
  • Weight: 220g
  • Dimensions: 126 x 196mm
  • Publication Date: 10 Dec 2020
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies.

From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.

Richard Rushton is Senior Lecturer in Film at Lancaster University, UK. He is author of Cinema After Deleuze (2012), The Reality of Film (2011), The Politics of Hollywood Cinema (2012), and What is Film Theory? (co-written with Gary Bettinson, 2010).

More from this author