A01=Daniela Angelucci
Age Group_Uncategorized
Age Group_Uncategorized
Author_Daniela Angelucci
automatic-update
B06=Sarin Marchetti
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=HPCF
Category=HPN
Category=QDHR
Category=QDTN
Cinema
Cinema 1: The Movement Image
Cinema 2: The Time-Image
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film-Philosophy
Gilles Deleuze
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9780748697731
- Dimensions: 156 x 234mm
- Publication Date: 19 Aug 2014
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Presented as part of this special issue of Deleuze Studies is the complete text of Daniela Angelucci’s book Deleuze e i concetti del cinema. Translated by Sarin Marchetti, Deleuze and the Concepts of Cinema takes up Deleuze’s idea that the true objects of the theory of cinema are the concepts that cinema generates when understood as a practice of images. In this sense, philosophy alone is able, as Deleuze argued, to ‘constitute the concepts of cinema itself’. Deleuze and the Concepts of Cinema is both a significant exploration of some of Deleuze’s key concepts, as well as an excellent introduction to Deleuze’s Cinema books, aiming to avoid, as Deleuze himself once claimed, a double reproach: namely, both excessive erudition –which makes the reading complicated and tedious– and exaggerated familiarity.
Daniela Angelucci is Lecturer of Aesthetics at the Department of Philosophy, Comunicazione, Spettacolo at University of Roma Tre. Sarin Marchetti is IRC postdoctoral fellow at University College Dublin. He earned his PhD at Sapienza Università di Roma, and has been visiting scholar at Columbia University. His main intellectual interests lie in ethics, metaphilosophy, and the history of concepts, with an unquenchable thirst for cinema and literature. He has a forthcoming monograph on William James and is currently working on a project on pragmatist and Wittgensteinian moral philosophy. After sunset he dismisses the clothes of the scholar and wears the ones of the translator, although the two share more than a garment. In such capacity he is currently editing and translating James's The Will to Believe into Italian as well as translating a book on Kant's practical philosophy into English. He is also assistant editor of the European Journal of Pragmatism and American Philosophy and occasional reviewer for Paradigmi.
