Deleuze's Cinema Books

Regular price €112.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=David Deamer
Author_David Deamer
Category=ATF
Category=ATFA
Category=ATFG
Category=QDTN
Cinema
Cinema 1: The Movement Image
Cinema 2: The Time-Image
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film-Philosophy
Gilles Deleuze

Product details

  • ISBN 9781474407670
  • Dimensions: 172 x 244mm
  • Publication Date: 27 Sep 2016
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Deleuze’s two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze’s writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film? David Deamer’s book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze’s classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers. Key Features:• An interpretation of Bergson’s Matter and Memory through Deleuze’s Bergsonism describing the ground of Deleuze’s film-philosophy;• A reading of Peirce’s semiosis from Pragmatism and Pragmaticism explicating the genesis and components of the movement-image;• An examination of Deleuze’s syntheses of time, space and consciousness from Difference and Repetition illuminating the genesis and components of the time-image; • Concise engagements with each of the cinematic signs to assist reading Deleuze’s Cinema books, as well as commentaries and monographs that draw upon them;• 44 film readings – one for each cinematic sign – to clarify their application.
David Deamer is an affiliated scholar with the English, Philosophy and Film departments of Manchester Metropolitan University

More from this author