Derek Walcott and the Creation of a Classical Caribbean

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A01=Dr Justine McConnell
A01=Justine McConnell
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Age Group_Uncategorized
ancient world
Author_Dr Justine McConnell
Author_Justine McConnell
automatic-update
Black classicism
Category1=Non-Fiction
Category=DBSG
Category=DCC
Category=DS
Category=DSBB
Category=DSC
Category=DSM
classical reception
classics
COP=United Kingdom
Delivery_Pre-order
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Greece
Language_English
literary studies
myth
Omeros
PA=Not yet available
poetry
postcolonial
Price_€20 to €50
PS=Forthcoming
Rome
softlaunch
White Egrets

Product details

  • ISBN 9781350343146
  • Weight: 312g
  • Dimensions: 150 x 229mm
  • Publication Date: 26 Dec 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Throughout his career, Derek Walcott turned to the literature and cultures of ancient Greece and Rome. His book-length poem recasting the epics of Homer, Virgil and Dante in St Lucia is best-known in this regard, yet Omeros is only the pinnacle of a lengthy and lively dialogue that Walcott developed between the ancient Mediterranean and the modern Caribbean. Derek Walcott and the Creation of a Classical Caribbean explores how, in developing that discourse between ancient and modern, between Europe and the Caribbean, Walcott refuted the suggestion that to engage with literature from elsewhere was to lack originality; instead, he asserted a place for Caribbean art in a global, transhistorical canon.

Drawing on Walcott’s own theoretical concerns, this book explores his engagement with Graeco-Roman antiquity from three key perspectives. Firstly, that a perception of time as linear must be coupled with an understanding of it as simultaneous, thereby doing away with the oppressive power of history and confirming the ‘New World’ on a par with the ‘Old’. Secondly, that syncretism lies at the heart of Caribbean life and art, with influences from Africa, Asia, and Europe constituting key parts of Caribbean identity alongside its indigenous cultures. Thirdly, that Caribbean literature creates the world anew without erasing the past.

With these three postcolonial conceptions at the heart of his engagement with ancient Greece and Rome, Walcott revealed the reasons why classical reception has been a rich facet of Caribbean artistry.

Justine McConnell is Reader in Comparative Literature and Classical Reception at King’s College London, UK. She is author of Black Odysseys: The Homeric Odyssey in the African Diaspora since 1939 (2013) and, with Fiona Macintosh, Performing Epic or Telling Tales (2020), and has co-edited four books on the reception of Graeco-Roman antiquity.

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