Desires of Credit in Early Modern Theory and Drama
Regular price
€62.99
14 days return policy
Shipping & Delivery
A01=Brian Sheerin
Alchemical Science
Author_Brian Sheerin
belief and fiction
Category=ATD
Category=DDA
Category=DS
Category=DSB
Category=DSBD
Category=KCZ
Credit Money
Diamond In Therough
Doctor Faustus
Double Knot
Dutch Church Libel
early modern London culture
Early Stuart Drama
East Indies
economic sociology
economic trust in Renaissance drama
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Gerard De Malynes
Good Life
Heywood's Apology
King Athelstane
Large Scale Credit
literary imagination
Marc Shell
Message Controller
Metallic Content
Michel De Montaigne
Pure Credit Economy
Renaissance English Playwrights
Renaissance Literary Theory
Renaissance theatre studies
Sir Thomas Wyat
Sovereign Credibility
Token Money
trust in literature
Vile Affections
William III
Product details
- ISBN 9780367175665
- Weight: 249g
- Dimensions: 156 x 234mm
- Publication Date: 17 Jan 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Desires of Credit in Early Modern Theory and Drama traces the near-simultaneous rise of economic theory, literary criticism, and public theater in London at the turn of the seventeenth century, and posits that connecting all three is a fascination with creating something out of nothing simply by acting as if it were there. Author Brian Sheerin contends that the motivating force behind both literary and economic inquiry at this time was the same basic quandary about the human imagination--specifically, how investments of belief can produce tangible consequences. Just as speculators were realizing the potency of collective imagination on economic circulation, readers and dramatists were becoming newly introspective about whether or not the 'lies' of literature could actually be morally 'profitable.' Could one actually benefit by taking certain fictions 'seriously'? Each of the five chapters examines a different dimension of this question by highlighting a particular dramatization of economic trust on the Renaissance stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and Jonson. The book fills a gap in current scholarship by keeping economic and dramatic interests rigorously grounded in early modern literary criticism, but also by emphasizing the productive nature of debt in a way that resonates with recent economic sociology.
Brian Sheerin is Assistant Professor of Renaissance Literature at St. Edward's University, USA.
