Desktop Audio Technology

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A01=Francis Rumsey
advanced audio workstation systems
Audio Data
audio signal processing
Author_Francis Rumsey
Category=UYU
change
channel
Channel Status Block
computer music production
digital
digital recording workflow
disk
drive
DSP Card
EBU Tech
EBU Timecode
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exclusive
External Midi Controller
messages
Midi Channel
Midi Clock
MIDI Data
Midi Event
Midi Interface
Midi Message
Midi Note
Midi System
Midi TimeCode
Midi Track
MPEG Audio
output
PCM Audio
Played Back
program
SCSI
Small Computer Systems Interface
sound synthesis techniques
spatial audio formats
Surround Loudspeakers
system
System Exclusive Message
Wave Format
workstation hardware

Product details

  • ISBN 9780240519197
  • Weight: 530g
  • Dimensions: 189 x 246mm
  • Publication Date: 20 Oct 2003
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In this thorough introduction to the technology behind audio workstations, Dr Francis Rumsey explains not only how digital audio works but also how to make best use of its capabilities. A combined revision of his two successful titles, MIDI Systems and Control and The Audio Workstation Handbook, this new book covers recent developments such as surround sound formats, direct stream digital, new audio project formats, new interfaces and alternatives to MIDI. Desktop Audio Technology begins by setting out principles of digital audio and how these are applied in recording, replay and editing within workstations. MIDI and synthetic audio control is then covered, looking at the means by which artificial sounds can be controlled and manipulated. This is followed by explanations of hardware, including storage devices, buses, computer interfaces and audio processing options. Dr Rumsey then focuses on transferring audio between systems, including coverage of audio interfaces, networking and file formats. The next section examines audio software, providing working examples of different commercial packages that exemplify some of the concepts previously described. The final chapter considers operational issues such as recent spatial reproduction formats, consumer format mastering and quality control issues, as well as troubleshooting and systems issues. If you are a student, lecturer or practitioner in the field of audio and are looking for an authoritative technical guide to the underlying principles of digital audio and MIDI, this book is for you. Dr Francis Rumsey is a Reader in Sound Recording at the University of Surrey (UK) and a Visiting Professor at the School of Music in Piteå (Sweden). He is a Fellow of the Audio Engineering Society and a regular contributor to the AES Journal. Dr Rumsey is also author of Spatial Audio and co-author of Sound and Recording (with Tim McCormick) and The Digital Interface Handbook (with John Watkinson), all published by Focal Press.
Professor of Sound Recording at the University of Surrey (UK) and a Visiting Professor at the School of Music in Piteå (Sweden). Fellow of the Audio Engineering Society and a regular contributor to the AES Journal.

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