Development of African Drama

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A01=Michael Etherton
African Drama
African independence
African myth
African performance studies
African theatre
allegory
Ama Ata Aidoo
Author_Michael Etherton
Black Mamba
Category=ATD
Category=DSBH5
Category=JBCC1
Category=JBSL
Category=NHH
colonialism Africa
Contemporary Society
cultural adaptation in theatre
Dead Man
Dedan Kimathi
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Euripides's Play
Euripides’s Play
evolution of African dramatic forms
Fine Performer
folk media
Forest Head
Ghanaian political plays
Hubert Ogunde
King Oedipus
Maji Maji Uprising
National Dance Troupe
Ngugi Wa
Oba Ovonramwen
Ola Rotimi
Opera Wonyosi
Ozidi Saga
Popular Theatre Movement
postcolonial literature
protest play analysis
ritual and theatre
Soyinka's Play
Soyinka's Work
Soyinka’s Play
Soyinka’s Work
Tragic Flaw
VIP Section
Yoruba Travelling Theatres
Young Man

Product details

  • ISBN 9781032562216
  • Weight: 843g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Aug 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published in 1982, this book explores concepts such as ‘traditional performance’ and African theatre’. It analyses the links between drama and ritual, and drama and music and diagnoses the confusions in our thought. The reader is reminded that drama is never merely the printed word, but that its existence as literature and in performance is necessarily different. The analysis shows that literature tends to replace performance; and drama, removed from the popular domain, becomes elitist. The book’s richness lies in the constantly stimulating analysis of ‘art’ theatre, as exemplified in protest plays, in African adaptations and transpositions of such classical subjects as the Bacchae and Everyman, in plays on African history, on colonialism and neo-colonialism. The final chapters argue that the form of African drama needs to evolve as the content does.

Michael Etherton is a specialist in popular theatre in the developing world and in the development of Nigerian drama. He was reader in Drama at Ahmadu Bello University in Nigeria.

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