Devised Theater’s Collaborative Performance

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A01=Telory D Arendell
Adrian Heathfield
Ariane Mnouchkine
Author_Telory D Arendell
Bausch Piece
Brecht's Berliner Ensemble
Brecht’s Berliner Ensemble
Category=ATD
Category=ATDC
Category=ATDF
Category=ATQ
Category=JBCC
Category=JHB
Clear Mentor
collaborative theatre methods
Cooper Foundation
Corona Virus
Devised Theater
Devised Theater Practice
Du Soleil
ensemble creation process
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Foreman's Ontological Hysteric Theatre
Foreman’s Ontological Hysteric Theatre
Goat Island
Jacques Lecoq
Joe Chaikin
Joseph Chaikin
Laramie Project
Mnouchkine's Work
Mnouchkine’s Work
Moment Work
performance studies research
physical theatre techniques
Pig Iron
Pig Iron Theatre
Playback
Riot Group
social commentary drama
theatre pedagogy innovation
Vanden Heuvel
Verbatim Theatre
verbatim theatre analysis
Young Men

Product details

  • ISBN 9780367644376
  • Weight: 700g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Oct 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book provides a fascinating and concise history of devised theatre practice.

As both a founding member of Philadelphia’s Pig Iron Theater Company and a Professor, Telory Arendell begins this journey with a brief history of Joan Littlewood’s Theatre Workshop and Living Newspapers through Brecht’s Berliner Ensemble and Joe Chaikin’s Open Theatre to the racially inflected commentary of Luis Valdez’s Teatro Campesino and Ariane Mnouchkine’s collaboration with Théâtre de Soleil. This book explores the impact of devised theatre on social practice and analyzes Goat Island’s use of Pina Bausch’s gestural movement, Augusto Boal’s Theatre of the Oppressed in Giving Voice, Anna Deavere Smith’s devised envelope for Verbatim Theatre, The Tectonic Theatre Project’s moment work, Teya Sepinuck’s Theatre of Witness, Pig Iron’s use of Lecoq mime to build complex physical theatre scripts, and The Riot Group’s musical arrangement of collaborative devised text. Included are a foreword by Allen J. Kuharski and three devised plays by Theatre of Witness, Pig Iron, and The Riot Group.

Replete with interviews from the initial Pig Iron collaborators on subjects of writing, directing, choreographing, teaching, and developing a pedagogical platform that supports devised theatre.

Telory Arendell is an Associate Professor of Performance Studies at Missouri State University.

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