Dewey and Elvis

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A01=Louis Cantor
African American community in Memphis
African American music in Memphis
Age Group_Uncategorized
Age Group_Uncategorized
Author_Louis Cantor
automatic-update
B. B. King
black community in Memphis
black music
black music in Memphis
boogie-woogie
Category1=Non-Fiction
Category=AV
Category=BG
Category=DNB
Center for Southern Folklore
communications
COP=United States
country
Daddy-o-dewey
deejay
Delivery_Delivery within 10-20 working days
Dewey Phillips and blues music
Dewey Phillips and rock history
Dewey Phillips biography
Dewey Phillips radio show
elvis presley
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
hillbilly
history of early rock music
history of radio in Memphis
Hot and Blue
Howlin' Wolf
jazz
Language_English
Memphis
Memphis blues music
Memphis musical culture
Memphis race music
Memphis rhythm and blues
Muddy Waters
music history
PA=Available
Price_€20 to €50
PS=Active
R&B
race records
race relations in 1950s Memphis
race relations in Memphis
radio
Red
rock
rock 'n' roll
segregation
social history of Memphis
softlaunch
southern history and music
Sun Records
University of Memphis
WHBQ
WHBQ-AM
white music in 1950s Memphis

Product details

  • ISBN 9780252077326
  • Weight: 513g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Apr 2010
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Beginning in 1949, while Elvis Presley and Sun Records were still virtually unknown--and two full years before Alan Freed famously "discovered" rock 'n' roll - Dewey Phillips brought the budding new music to the Memphis airwaves by playing Howlin' Wolf, B. B. King, and Muddy Waters on his nightly radio show Red, Hot and Blue. The mid-South's most popular white deejay, "Daddy-O-Dewey" soon became part of rock 'n' roll history for being the first major disc jockey to play Elvis Presley and, subsequently, to conduct the first live, on-air interview with the singer.

Louis Cantor illuminates Phillips's role in turning a huge white audience on to previously forbidden race music. Phillips's zeal for rhythm and blues legitimized the sound and set the stage for both Elvis's subsequent success and the rock 'n' roll revolution of the 1950s. Using personal interviews, documentary sources, and oral history collections, Cantor presents a personal view of the disc jockey while restoring Phillips's place as an essential figure in rock 'n' roll history.

Louis Cantor is professor emeritus of history at Indiana University. He is the author of Wheelin' on Beale: How WDIA-Memphis Became the Nation's First All-Black Radio Station and Created the Sound That Changed America, and A Prologue to the Protest Movement: The Missouri Sharecropper Roadside Demonstration of 1939, which was made into an award-winning documentary film.

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