B01=Cheryl Sim
B01=Jon Knowles
Category1=Non-Fiction
Category=AGA
Category=NL-AC
COP=Germany
Discount=15
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BB
Format_Hardback
HMM=298
IMPN=Hirmer Verlag
ISBN13=9783777431949
Language_English
PA=Available
PD=20190228
POP=Munich
Price_€50 to €100
PS=Active
PUB=Hirmer Verlag
Subject=History Of Art/art & Design Styles
WG=2220
WMM=267
Product details
- ISBN 9783777431949
- Format: Hardback
- Weight: 2220g
- Dimensions: 267 x 298mm
- Publication Date: 28 Feb 2019
- Publisher: Hirmer Verlag
- Publication City/Country: Munich, DE
- Product Form: Hardback
- Language: English
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DHC/ART LIBRE tells the story of a contemporary art foundation unlike any other. Situated in the cosmopolitan city of Montreal, DHC/ART – as well as this publication – is dedicated to bringing impactful experiences with contemporary art to the public with a mission of accessibility on multiple levels. The critically-acclaimed program includes major artists from around the world, like Christian Marclay, Joan Jonas and Yinka Shonibare MBE.
The publication chronicles the evolution of DHC/ART – since its launch in 2007 by Phoebe Greenberg – and through its story provides a platform for critical essays that open up larger questions about the potential for innovative institutional models to develop contemporary art audiences for the future. Amongst the contributors are Sarah Thornton and Jan Verwoert. The DHC/ART Education department provides an account of their critical pedagogy while the book is rounded out with a questionnaire on the use-value of Installation View photography with contributions from Simon Starling, Barbara Clausen, JiaJia Fei, Brian Droitcour, Vincent Bonin and Richard-Max Tremblay.
The publication chronicles the evolution of DHC/ART – since its launch in 2007 by Phoebe Greenberg – and through its story provides a platform for critical essays that open up larger questions about the potential for innovative institutional models to develop contemporary art audiences for the future. Amongst the contributors are Sarah Thornton and Jan Verwoert. The DHC/ART Education department provides an account of their critical pedagogy while the book is rounded out with a questionnaire on the use-value of Installation View photography with contributions from Simon Starling, Barbara Clausen, JiaJia Fei, Brian Droitcour, Vincent Bonin and Richard-Max Tremblay.
