Dialogues with Degas

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19th century
A01=Dr. Kathryn Brown
A01=Kathryn Brown
Age Group_Uncategorized
Age Group_Uncategorized
art history
Author_Dr. Kathryn Brown
Author_Kathryn Brown
automatic-update
Category1=Non-Fiction
Category=ABA
Category=ACVT
Category=ACXJ8
Category=AGA
Category=AGB
Cecily Brown
COP=United Kingdom
Cy Twombly
Damien Hirst
Degas
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethics of looking
Frank Auerbach
Howard Hodgkin
Impressionism
influence
Language_English
Leon Kossoff
modernism
PA=Not yet available
painting
palimpsest
Paula Rego
Price_€20 to €50
PS=Forthcoming
R.B. Kitaj
Ryan Gander
School of London
softlaunch
Yinka Shonibare

Product details

  • ISBN 9781350258747
  • Weight: 646g
  • Dimensions: 154 x 232mm
  • Publication Date: 09 Jan 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices.

The first in-depth examination of this major artist’s impact on contemporary art, this book explores how contemporary practitioners have used Degas’s creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class.

Through close analyses of paintings, drawings, prints and sculptures, Brown shows how Degas's technical and compositional experiments have been extended or challenged in innovative ways by contemporary artists including: Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren.

Eschewing familiar conceptions of influence, the book opens transhistorical dialogues that generate new perspectives on histories of 19th-century art. These encounters also reframe contemporary art practices, prompt innovative ideas about the agency of visual artefacts, and offer a new methodology for writing about art. With such breadth of analysis, the book makes an important contribution to scholarship in Degas studies, contemporary art, reception theory, art history, and fine art.

Kathryn Brown is Reader in Art Histories, Markets and Digital Heritage at Loughborough University, UK. Her books include Women Readers in French Painting 1870–1890 (2012), Matisse’s Poets: Critical Performance in the Artist’s Book (Bloomsbury, 2017) and Henri Matisse (2021). She is the series editor of Contextualizing Art Markets (Bloomsbury).

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