Dickens, Journalism, and Nationhood

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A01=Sabine Clemm
article
Author_Sabine Clemm
Bentley's Miscellany
Bentley’s Miscellany
British imperialism
Category=DSA
Category=DSBF
Category=DSK
chambers's
Chambers's Edinburgh Journal
Chambers’s Edinburgh Journal
Coach Manufacture
Coast Folk
Crystal Palace
cultural representation
edinburgh
Encumbered Estates
Englishness in nineteenth-century journalism
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fi Nds
Fi Shers
Fi Ve
Great Exhibition
Great Exhibition analysis
henry
household
Household Words
Household Words Articles
Household Words Writers
Illustrated London News
ILN
Ireland and colonial discourse
Irish Diffi Culty
IRISH PECULIARITIES
Master Humphrey's Clock
Master Humphrey’s Clock
morley
Nana Sahib
Napoleon III
national identity studies
Preliminary Word
rebellion
sepoy
Sepoy Rebellion
Sheffi Eld
Shilling Days
Victorian periodicals
words
writer
Young Men

Product details

  • ISBN 9780415888578
  • Weight: 480g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Jan 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Dickens, Journalism, and Nationhood examines Charles Dickens’ weekly family magazine Household Words in order to develop a detailed picture of how the journal negotiated, asserted and simultaneously deconstructed Englishness as a unified (and sometimes unifying) mode of expression. It offers close readings of a wide range of materials that self-consciously focus on the nature of England as well as the relationship between Britain and the European continent, Ireland, and the British colonies. Starting with the representation and classification of identities that took place within the framework of the Great Exhibition of 1851, it suggests that the journal strives for a model of the world in concentric circles, spiraling outward from the metropolitan center of London. Despite this apparent orderliness, however, each of the national or regional categories constructed by the journal also resists and undermines such a clear-cut representation.

Sabine Clemm lectures on the nineteenth-century novel, culture, and poetry at the University of Southampton.

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