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Dickens, Reynolds, and Mayhew on Wellington Street
Dickens, Reynolds, and Mayhew on Wellington Street
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A01=Mary L. Shannon
Australian Facts
Author_Mary L. Shannon
Bleak House
British publishing industry
Category=DSBF
Category=DSK
Category=KNTP1
Category=KNTP2
collins
Covent Garden Theatre
culture
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Esther's Face
Esther’s Face
Lady Dedlock
london
London Labour
London literary networks
London Print Culture
Lyceum Theatre
Madame Vestris
Martin Chuzzlewit
melbourne
Melbourne Punch
Mr Tulkinghorn
Mrs Bagnet
Mysteries Series
networks
Nineteenth Century Print Culture
nineteenth-century journalism
Norman St John Stevas
north
print
Print Culture
print history research
Print Networks
punch
Reynolds's Political Instructor
Reynolds's Weekly Newspaper
Reynolds’s Political Instructor
Reynolds’s Weekly Newspaper
RM.
Senate House Library
society
topographical
Trafalgar Square
urban print communities
Victorian periodicals
Victorian print culture networks
Wellington Street North
Young Man
Product details
- ISBN 9781472442048
- Weight: 670g
- Dimensions: 156 x 234mm
- Publication Date: 28 Apr 2015
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors’ experiences make us rethink the ways in which they and others addressed their anonymous readers as ’friends’, as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an ’imagined community’ of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.
Mary L. Shannon received her BA from the University of Cambridge and her PhD from King’s College London. She is a postdoctoral research fellow in the Department of English and Creative Writing, University of Roehampton, London. She works on early nineteenth-century print culture and visual culture, with particular interests in literary networks, cultural geography, periodicals, and literature about London.
Dickens, Reynolds, and Mayhew on Wellington Street
€192.20
