Regular price €49.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Ad Stijnman
A01=Maria Aresin
A01=Marion Heisterberg
A01=Stefan Moret
Albrecht Durer
Author_Ad Stijnman
Author_Maria Aresin
Author_Marion Heisterberg
Author_Stefan Moret
Category=ABA
Category=AFH
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction

Product details

  • ISBN 9783422801134
  • Weight: 1191g
  • Dimensions: 220 x 280mm
  • Publication Date: 18 Sep 2023
  • Publisher: De Gruyter
  • Publication City/Country: DE
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Etching, the origins of which as an intaglio technique can be traced back to the beginning of the 16th century, unfolded its full glory in the 17th century. Famous engravers such as Albrecht Dürer had rejected etching as an inferior technique to copperplate engraving, but a century later it experienced its Baroque heyday. The etching technique owes its albeit late success to the freedom of its lines. Unlike the laborious method of copperplate engraving, the artist’s hand can playfully transpose the drawing onto the etching plate with ease. This catalogue provides fascinating insights into the working processes and aesthetics of Baroque printmaking. The focus is on works by three artists who excelled in the etching technique: Jacques Callot, Stefano della Bella and Giovanni Benedetto Castiglione.

  • Exhibition: 8. September to 3. December 2023, Landesmuseum Mainz
  • New state of research on Baroque etching

Look inside

More from this author