Difference / Indifference
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A01=Jonathan D Katz
A01=Moira Roth
Abstract Expressionism
Abstract Expressionists
American modernism studies
Author_Jonathan D Katz
Author_Moira Roth
avant-garde art theory
Bicycle Wheel
Bride Stripped Bare
cage
Category=AGA
Category=AGB
Category=AVLA
Category=AVN
conceptual art criticism
critical art discourse
Dear Diary
Dense
Drew Back
duchamp
Duchamp's Work
Duchamp’s Work
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
feminist art history
Gray Numbers
Joan Retallack
john
John Cage
kubota
marcel
Marcel Duchamp
moira
Nude Descending
performance art analysis
Pierre Cabanne
Plaster Of Paris
postmodern art historical perspectives
Project AIDS Memorial Quilt
roth
Roy Lichtenstein
rrose
Rrose Selavy
selavy
shigeko
Sort Ofthing
Sutapa Biswas
Teeny Duchamp
Victorine Meurent
Video Sculpture
Younger Man
Yukio Mishima
Product details
- ISBN 9789057013317
- Weight: 370g
- Dimensions: 152 x 229mm
- Publication Date: 20 Oct 1998
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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First Published in 1999. For the first time gathered together in book form, here are the influential writings of Moira Roth-articles, lectures, and interviews-on the two men who for so long embodied the very spirit of the avantgarde, Marcel Duchamp and John Cage. For almost thirty years Duchamp and Cage, who seemed to live on the border of modernism, and later, of postmodernism, alternately have fascinated, irritated, inspired, and daunted the author. Since her initial engagement with Duchamp and Cage in the early seventies, Roth increasingly focused on the work of many American artists-primarily women-only to return to Duchamp and Cage intermittently. At first, they were an inspiration for her writing and teaching. However, as they transformed themselves into classical figures, she came to reconsider and re-evaluate them. This collection offers a wide variety of literary forms-analytic, diaristic, art historical, and autobiographical-all of which Roth has used in her work. Collectively these writings form the subject of compelling and unique critical exchange between Moira Roth, who holds the Trefethen Chair of Art History at Mills College, Oakland, and Jonathan D.Katz, who is Chair of the Department of Gay and Lesbian Studies at City College, San Francisco.
