Digital Combat

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cultural memory
digital warfare
displacement
documentary ethics
Donbas conflict
Eastern European film
eq_anthologies-novellas-short-stories
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_fiction
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eq_nobargain
eq_non-fiction
eq_society-politics
film aesthetics
forthcoming
gendered trauma
new media
postcolonial studies
representation ethics
resilience
trauma theory
Ukrainian cinema
women filmmakers

Product details

  • ISBN 9781487570811
  • Weight: 1g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Jun 2026
  • Publisher: University of Toronto Press
  • Publication City/Country: CA
  • Product Form: Hardback
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Digital Combat examines how contemporary warfare and historical traumas reshape the study and practice of film in Eastern Europe. Bringing together leading international scholars, the volume interrogates cultural canons, reframes national film histories, and situates recent Ukrainian cinema at the center of urgent debates about violence, testimony, and survival.

Structured in four parts, the collection moves from revisiting canonical questions to highlighting women’s voices, the ethics of documentary, and the role of new media. The chapters analyse diverse case studies, including the recovery of early Ukrainian cinema overlooked by Russian imperial narratives; portrayals of the Donbas as a “non-space” caught in perpetual conflict; female filmmakers’ reframing of war and gendered trauma; and the reflexive strategies of documentaries confronting displacement and atrocity. Further chapters explore how digital technologies, smartphones, and TikTok poetry videos transform both the aesthetics of wartime filmmaking and the preservation of cultural memory.

By combining close formal analysis with postcolonial and trauma theory, Digital Combat situates Eastern European cinema within a broader global discourse on war, exile, and the ethics of representation. It demonstrates how film and media not only record catastrophe but also create spaces of resilience, agency, and resistance. Timely and interdisciplinary, this book offers essential analyses for scholars of film studies, Slavic and East European studies, cultural memory, and conflict studies.

Yuri Leving is a professor at Princeton University, specializing in contemporary Russian literature and film, Eastern European cinema, the visual arts, and digital humanities.