Digital Food TV

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A01=Michelle Phillipov
affect theory
Age Group_Uncategorized
Age Group_Uncategorized
algorithmic culture
algorithms
ASMR
Aspirational Labour
Audience Labour
Author_Michelle Phillipov
automatic-update
Brand Machines
brands
Broadcast TV
cable TV
Category1=Non-Fiction
Category=APT
Category=ATJ
Category=JBCT
Category=JFD
Cookery Programs
cooking competitions
COP=United Kingdom
Crazy Delicious
Cusp Formation
Delivery_Delivery within 10-20 working days
digital audience engagement
digital capitalism
environmental politics
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
food documentaries
Food Television
Food Tv
Good Life
Gourmet Farmer
Great British Bake
Hugh Fearnley Whittingstall
Instagram
Jamie Oliver
Language_English
Lifestyle Television
Linear Schedule
Makeover Genre
market logistics
media platform studies
neoliberal media analysis
Netflix
Netflix Original
Oliver Family
Online Food
online food video scholarship
online videos
PA=Available
Price_€20 to €50
Production Practices
PS=Active
Reality Television
reality TV
River Cottage
Rural Tasmania
SBS On Demand
softlaunch
stand and stir
Stanley Tucci
streaming content research
Sugar Rush
Television Studies
Television Texts
travelogues

Product details

  • ISBN 9781032200330
  • Weight: 160g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book explores the new theoretical and political questions raised by food TV’s digital transformation.

Bringing together analyses of food media texts and platform infrastructures—from streaming and catch-up TV to YouTube and Facebook food videos—it shows how new textual conventions, algorithmic practices, and market logics have redrawn the boundaries of food TV and altered the cultural place of food, and food media, in a digital era. With case studies of new and rerun television and emerging online genres, Digital Food TV considers what food television means at the current moment—a time when on-screen digital content is rapidly proliferating and televisual platforms and technologies are undergoing significant change.

This book will appeal to students and scholars of food studies, television studies, and digital media studies.

Michelle Phillipov is a Senior Lecturer in Media at the University of Adelaide. Her research explores the role of food media in shaping public debate, media and food industry practices, and consumer politics. She is an author or editor of five books, including Media and Food Industries: The New Politics of Food, Alternative Food Politics: From the Margins to the Mainstream (with Katherine Kirkwood), and Fats: A Global History.

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