Digital Media Distribution

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B01=Courtney Brannon Donoghue
B01=Paul McDonald
B01=Timothy Havens
Category1=Non-Fiction
Category=JBCT
Category=JFD
Category=KNT
China’s media and tech industries
Circulation
Community managers
Comparison
Content supply model
Content valuation
COP=United States
Datafication
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Digital disruption
Digital games
Digital Platforms
Digital transformation
Digitalization
Distribution
Distribution systems
Economic sociology
Engagement industry
eq_bestseller
eq_business-finance-law
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fake likes
Film
Filtering
Gatekeeping
Globalization
Intermediaries
Internet distribution
Invisible intermediaries
Language
Language_English
Localism
Market theory
Media circulation
Media industries
Media infrastructures
Media theory
Mediation
Outliers
PA=Available
Performance
Platforms
Pornography
Portalization
Price_€20 to €50
PS=Active
Publishing
Recorded music
Region
Social Media Entertainment
softlaunch
Sports media
Spotify
Stakeholders
Streaming music
Streaming Video
SVOD
Talent agencies
Television
Valuation practice

Product details

  • ISBN 9781479806782
  • Weight: 576g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Sep 2021
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A deep dive into the new era of digital content production and distribution
In the twenty-first century, the platforms that both create and host content have become nearly as important as media itself. Companies such as Netflix, Spotify, and YouTube have attained a massive hold on the public imagination and have become an almost ineluctable part of people’s everyday lives. While the workings of media distribution had until very recently remained inconsequential to the average consumer, the recent popularization of various online platforms has made the question of distribution immediate to everyone.
Digital Media Distribution: Portals, Platforms, Pipelines provides a timely examination of the multifaceted distribution landscape in a moment of transformation and conceptualizes media distribution as a complex site of power, privilege, and gatekeeping. These tensions have local, national, and global consequences on the autonomy of creative workers, as well as on how we gain access to, engage with, and understand cultural products. Drawing on original research into distribution practices in industries as diverse as television, film, videogames, literature, and adult entertainment, each chapter explores how digitization has changed media distribution and its broader economic, industrial, social, and cultural implications.
Bringing together experts from around the world and across the media industries, Digital Media Distribution: Portals, Platforms, Pipelines presents a vast array of critical approaches and illustrative case studies for understanding the factors that have an impact on the way media travels and moves throughout our digital lives.

Paul McDonald is Professor of Media Industries at King’s College London. His publications include Video and DVD Industries (2007) and Hollywood Stardom (2013), and the co-editing of The Contemporary Hollywood Film Industry (2008) and Hollywood and the Law (2015). He co-edits the International Screen Industries book series from the British Film Institute.
Courtney Brannon Donoghue is an Assistant Professor in the Department of Media Arts at the University of North Texas. Her publications include Localising Hollywood (British Film Institute Press, 2017) and have appeared in Cinema Journal, Feminist Media Studies, Media, Culture & Society, and various edited collections.
Timothy Havens is Associate Professor of Television and Media Studies in the Department of Communication Studies, the Program in African American Studies, and the Program in International Studies at the University of Iowa.