Digital Scenography in Opera in the Twenty-First Century

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A01=Caitlin Vincent
Author_Caitlin Vincent
Baroque Origins
Bayreuth Festspielhaus
Category=AV
Category=AVA
Category=AVLA
Category=AVLF
Causal Interplay
creative hierarchies
Creative Hierarchy
Creative Practitioners
Die Harmonie Der Welt
Digital Avatars
Digital Elements
Digital Scenography
digital scenography case studies
dramaturgical analysis
Enrico Prampolini
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Ferdinando Galli Bibiena
Flying Dutchman
Kinetic Stage
Komische Oper Berlin
Lateral Hierarchy
Laterna Magika
Live Performers
Magic Flute
multimedia stagecraft
Opera Companies
Opera Production
performance technology
Production Design Process
projection design
Projection Designer
Royal De La Monnaie
Santa Fe Opera
Scenographic Design
Staging Rehearsals
Technical Rehearsals
theatre production processes
Visual Correlation
VR Experience

Product details

  • ISBN 9780367553937
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography’s dramaturgical possibilities and establishes a critical framework for identifying and comparing the use of digital scenography across different digitally enhanced opera productions. The book then investigates the impacts and potential disruptions of digital scenography on opera’s longstanding production conventions, both on and off the stage. Drawing on interviews with major industry practitioners, including Paul Barritt, Mark Grimmer, Donald Holder, Elaine J. McCarthy, Luke Halls, Wendall K. Harrington, Finn Ross, S. Katy Tucker, and Victoria ‘Vita’ Tzykun, author Caitlin Vincent identifies key correlations between the use of digital scenography in practice and subsequent impacts on creative hierarchies, production design processes, and organisational management. The book features detailed case studies of digitally enhanced productions premiered by Dutch National Opera, Komische Oper Berlin, Opéra de Lyon, The Royal Opera, Covent Garden, San Francisco Opera, Santa Fe Opera, Théâtre Royal de la Monnaie, The Metropolitan Opera, Victorian Opera, and Washington National Opera.

Caitlin Vincent researches the future of work in the arts. Key areas of focus include opera, cultural labour, performance and technology, and equity and diversity. An acclaimed opera librettist, Vincent has been commissioned for Washington National Opera, the Schubert Club of Minnesota, the University of Connecticut, and Carnegie Hall.

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