Dionysus Resurrected

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1960's theater
1960's theatre
A01=Erika Fischer-Lichte
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Age Group_Uncategorized
ancient tragedy
Author_Erika Fischer-Lichte
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Blackwell-Bristol Lectures on Greece
Category1=Non-Fiction
Category=AN
Category=ATD
Category=DSBB
Category=DSG
comparative theater studies
COP=United Kingdom
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Dionysus
edited collection
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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Euripides
globalization in theater
Greek drama
Greek gods in drama
Greek theater
Greek theatre
Greek tragedy
Greek tragedy revival
Language_English
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Price_€50 to €100
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reception of Greek drama
Rome and the Classical Tradition
softlaunch
The Bacchae

Product details

  • ISBN 9781405175784
  • Weight: 490g
  • Dimensions: 163 x 239mm
  • Publication Date: 13 Dec 2013
  • Publisher: John Wiley and Sons Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Dionysus Resurrected analyzes the global resurgence since the late 1960s of Euripides’ The Bacchae. By analyzing and contextualizing these modern day performances, the author reveals striking parallels between transformational events taking place during the era of the play’s revival and events within the play itself.

  • Puts forward a lively discussion of the parallels between transformational eventsduring the era of the play’s revival and events within the play itself
  • The first comparative study to analyse and contextualize performances of The Bacchae that took place between 1968 and 2009 from the United States, Africa, Latin America, Europe and Asia
  • Argues that presentations of the play not only represent liminal states but also transfer the spectators into such states
  • Contends that the play’s reflection on various stages of globalization render the tragedy a contemporary play
  • Establishes the importance of The Bacchae within Euripides’ work as the only extant tragedy in which the god Dionysus himself appears, not just as a character but as the protagonist

ERIKA FISCHER-LICHTE is Professor of Theatre Studies at the Institut für Theaterwissenschaft at the Freie Universität of Berlin and Director of the International research centre "Interweaving Performance cultures." She has published extensively on the history of the theatre and on the reception of Greek tragedy. Her most recent publications include Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre (2005), The Transformative Power of Performance: A New Aesthetics (2008), and Performance and the Politics of Space: Theatre and Topology (edited with Benjamin Wihstutz, 2012).

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