Directory of Choral-Orchestral Music

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A01=Michael Rosewall
advanced choral-orchestral repertoire research
Author_Michael Rosewall
Category=AVLA
Category=AVLC
choral performance analysis
composer catalogue reference
ensemble programming guide
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
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eq_music
eq_nobargain
eq_non-fiction
liturgical music studies
music education resource
vocal ensemble repertoire

Product details

  • ISBN 9780415980043
  • Weight: 1330g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Sep 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Directory of Choral-Orchestral Music is the most comprehensive index of music written for orchestra with chorus in print today.Offering performance information about choral works by more than 900 composers, the more than 3,500 entries include pertinent details such as instrumentation, languages, timings, publishers, and composer information in an easy-to-follow reference style. Users can also browse categorized appendices of works, chronological lists of composers, and an index of popular and original titles. From traditional masterworks to contemporary creations, this book presents an impressive variety of choral compositions and serves as both a research aid and practical performance reference.The first volume of its kind, The Directory of Choral-Orchestral Music is designed to meet the needs of professional directors, music educators and students of choral music. The author's hope is that it will broaden the choices available to programmers and performers, spur further research in the field of choral-orchestral music, and encourage composers, musicologists and performers alike to further explore this rich and varied body of musical literature.
Michael Rosewall is an Associate Professor in and former Director of the Music Department at St. Norbert College in Green Bay, Wisconsin, where he has taught choral music, music education and music history. He received his Ph.D. in Choral Conducting and Historical Performance Practice from Stanford University in 1992.

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