Disability and Music Performance

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A01=Alejandro Alberto Tellez Vargas
ableism in music
accessibility in classical music institutions
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Alejandro Alberto Tellez Vargas
Author_Alejandro Alberto Tellez Vargas
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Biomechanical Model
Braille Music
Category1=Non-Fiction
Category=AN
Category=ATD
Category=AVG
Category=AVL
Category=JBFM
Category=JFFG
Claudio Arrau
COP=United Kingdom
Critical Gerontology
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Disability Studies
Disabled Musicians
Disabled Performers
DVD Documentary
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Ethnomusicology
Evgeny Kissin
Extracorporeal Shockwave Therapy
Feminist Gerontology
Gerotranscendence Theory
impairment identity studies
Inclusion and Exclusion
inclusive arts education
Instituto Nacional De Bellas Artes
La Chaux De Fonds
Language_English
Moura Lympany
Music Competitions
Music Pedagogy
Music Perfomance Practice
Music Performance
neurodiversity in performance
Neurological Disability
Non-disabled Audiences
Non-disabled Performers
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Performer's Body
Physical Disability
Piano Pedagogy
Piano Technical
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qualitative interview analysis
Sensory Stimulation
SN=Interdisciplinary Disability Studies
social barriers in arts
Socio-musical Organisation
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Van Cliburn International Piano Competition
Wolfgang Amadeus Mozart

Product details

  • ISBN 9781138089150
  • Weight: 420g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Jun 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Disability and Music Performance examines discriminatory social practices in music conservatoria, orchestras, music festivals and music competitions, which limit disabled people’s access to music performance at a professional level. Of particular interest are the disabling barriers that musicians with an intellectual, physical, sensory or neurological disability—or an acquired brain injury—encounter in the world of Western classical music, both as students and as professional performers.

This book collects data in the form of semi-structured interviews and video and audio recordings to explore the voice, concerns and suggestions expressed by musicians with disabilities. It examines their perceptions of both inclusive and discriminatory practices in music institutions as well as the representation of, and audio-visual recordings by, key musical figures with disabilities. Its findings aim to contribute to the wellbeing of musicians with impairments by challenging disabling social practices that see them as inferior.

This publication offers performers, teachers and researchers new perspectives for exploring some of the most common social dynamics in encounters between normative audiences, musicians and music critics, and musicians with disabilities. It invites the reader to recognise disability as a rightful identity category in music performance and to dismantle the disabling barriers that limit the participation of disabled people in music-making.

Alejandro Alberto Téllez Vargas completed his PhD in 2016 as an Endeavour Postgraduate Award Holder (University of Melbourne). In 2008, he received a Fulbright Fellowship for International Postgraduate Studies at the United States of America, where he studied a master’s degree in music performance with a related field of studies in music and medicine at the University of North Texas (UNT). Currently, he works at the Department of Education and Training of the Victorian Government, Australia.

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