Discourse of Protest, Resistance and Social Commentary in Reggae Music

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A01=Elizabeth Turner
Album Title
Author_Elizabeth Turner
Bakhtin's Ideas
Bakhtin's Life
Bakhtinian theory
Bakhtin’s Ideas
Bakhtin’s Life
Bastion Point
Category=AVL
Category=AVLP
Category=CF
Category=CFF
Category=CFG
Coconut Tree
dialogic analysis
Eleventh Hour
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Explicit Intertextual Reference
Harmonised Voices
indigenous rights discourse
Island Beat
Jamaican Patois
Ken Hirschkop
Liberation War
Listener's Background
Listener’s Background
London's Notting Hill Carnival
London’s Notting Hill Carnival
Marley's Music
Marley's Song
Marley’s Music
Marley’s Song
Mikhail Bahktin
musical discourse
Nelson Mandela
New Zealand
Pacific Islands People
Pacific Islands Youth
Pacific reggae sociopolitical analysis
popular culture
popular music
popular music criticism
protest discourse
race relations studies
Rastafari philosophy
Reggae Music
Song Writer
Springbok Tour
Steve Biko
Typographic Form
Zealand's Involvement
Zealand’s Involvement

Product details

  • ISBN 9780367423261
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover and the social and political context construct social commentary, resistance and protest.

Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning EP What’s Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs’ songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people’s lands.

The book demonstrates the striking compatibility between Bakhtin’s theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region.

Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Elizabeth Turner is an independent researcher and academic affiliated to Auckland University of Technology, New Zealand.

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