Discover Degas & Miss La La
The extraordinary story behind Degas’s groundbreaking painting of the African-American circus performer Miss La La.
Edgar Degas’s Miss La La at the Cirque Fernando (1879) is one of only two paintings by the artist representing people of colour. Miss La La, born Anna Albertine Olga Brown to a white Prussian mother and African-American father, was a renowned performer of extraordinary daring in fin-de-siècle Paris.
Exploring the fascinating story behind Degas’s painting, this is the first in-depth study to focus on the sitter’s identity, presenting new research on her life and career, as well as unpublished photographic material tracing her tour across Europe. The book also analyses the genesis of Degas’s work, from his rapid sketches completed on the spot to his more elaborate preparatory drawings and pastels.
The son of a Creole mother from New Orleans, Degas travelled to Louisiana in 1872–73, which was to have a lasting impact on his art. This book examines the artist’s complex attitudes to ethnicity in relation to his own family background, and the representation of multiracial people in late nineteenth-century France.
Published by National Gallery Global/Distributed by Yale University Press
Chiara Di Stefano is Associate Curator of Post 1800 Paintings at the National Gallery, London.
Laurie Fierstein is an independent researcher, currently writing a book about Anna Albertine Olga Brown Woodson and Theophilia Szterker.
Darcy Grimaldo Grigsby is Richard and Rhoda Goldman Distinguished Professor in the Arts and Humanities at the University of California, Berkeley.
Denise Murrell is the Merryl H. and James S. Tisch Curator at Large, Office of the Director, at The Metropolitan Museum of Art, New York.
Sterre Overmars is Weinrebe Curatorial Fellow of Post-1800 Paintings at the National Gallery, London.
Isolde Pludermacher is Chief Curator of Paintings at the Musée d’Orsay, Paris.
Christopher Riopelle is the Neil Westreich Curator of Post 1800 Paintings at the National Gallery, London.