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Disgust in Early Modern English Literature
Disgust in Early Modern English Literature
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affect theory
Bartholomew Fair
Bodily Effusions
Category=ATD
Category=DDA
Category=DS
Category=DSB
Category=DSBD
Category=DSG
Contemporary Affect Theory
Culinary Memory
cultural boundaries
Donne's Satyres
Donne’s Satyres
Early Modern English
Early Modern English Literature
early modern poetics
Early Modern Pornography
East Indies
English Renaissance studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
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Henri Estienne
literary affect analysis
Michel De Montaigne
Painted Forgery
representations of revulsion in literature
Sea Water
sensory experience literature
Shakespeare's Venus
Shakespeare’s Venus
Sianne Ngai
Spenser's Relationship
Spenser’s Relationship
STC.
Tierra Del Fuego
Unfortunate Traveller
Violating
Visceral Disgust
Welsh Leek
Word Disgust
Young Man
Product details
- ISBN 9780367175733
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 17 Jan 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
What is the role of disgust or revulsion in early modern English literature? How did early modern English subjects experience revulsion and how did writers represent it in poetry, plays, and prose? What does it mean when literature instructs, delights, and disgusts? This collection of essays looks at the treatment of disgust in texts by Spenser, Shakespeare, Donne, Jonson, Herrick, and others to demonstrate how disgust, perhaps more than other affects, gives us a more complex understanding of early modern culture. Dealing with descriptions of coagulated eye drainage, stinky leeks, and blood-filled fleas, among other sensational things, the essays focus on three kinds of disgusting encounters: sexual, cultural, and textual. Early modern English writers used disgust to explore sexual mores, describe encounters with foreign cultures, and manipulate their readers' responses. The essays in this collection show how writers deployed disgust to draw, and sometimes to upset, the boundaries that had previously defined acceptable and unacceptable behaviors, people, and literatures. Together they present the compelling argument that a critical understanding of early modern cultural perspectives requires careful attention to disgust.
Natalie K. Eschenbaum is Associate Professor and Chair of English at the University of Wisconsin-La Crosse, USA. Barbara Correll is Associate Professor of English at Cornell University, USA.
Disgust in Early Modern English Literature
€62.99
