Disney Theatrical Productions

Regular price €47.99
42nd Street
A01=Amy Osatinski
Amsterdam Theatre
arts management
audience development strategies
Author_Amy Osatinski
Broadway
Broadway Theatre
Category=ATDF
Category=AVLM
commercial musical production analysis
corporate theater production
Disney
Disney Brand
Disney Theatrical
Disney's Tarzan
Disney’s Tarzan
entertainment industry studies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Florenz Ziegfeld
High School Musical
Julie Taymor
Korean Language Version
Le Coq
Lion King
Macy's Thanksgiving Day Parade
Macy’s Thanksgiving Day Parade
Mary Poppins
Musical production
Musical theater
Musical theatre
Nederlander Theatres
Newsies
Out-of Town Tryout
Pantages Theatre
performance collaboration models
Pop Star
Pride Rock
Producing
South African Performer
Tarzan
The Lion King
Theater
Theatre
urban cultural revitalization
Vivian Beaumont Theatre

Product details

  • ISBN 9780367086121
  • Weight: 266g
  • Dimensions: 129 x 198mm
  • Publication Date: 18 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Disney Theatrical Productions: Producing Broadway Musicals the Disney Way is the first work of scholarship to comprehensively examine the history and production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation.

This book uncovers how DTP has forged a new model for producing large-scale musicals on Broadway by functioning as an independent theatrical producer under the umbrella of a large entertainment corporation. Case studies of three productions (The Lion King, Tarzan, and Newsies) demonstrate the flexibility and ingenuity of DTP, and showcase the various production models that the company has employed over the years. Exploring topics such as the history of DTP, its impact on the revitalization of Times Square, and its ability to open up a new audience base for Broadway theatre, this volume examines the impact that DTP has had on American musicals, both domestically and internationally, and how its accomplishments have helped reshape the Broadway landscape.

This book is relevant to students in Musical Theatre, History of Musical Theatre, Theatre History, and Arts Management courses, along with general Disney enthusiasts.

Amy S. Osatinski is a director, performer, scholar, teacher, and designer. She is an Assistant Professor of Theatre at the University of Northern Iowa, where she teaches courses in Directing, Analysis, and Musical Theatre. Amy holds a PhD in Theatre from the University of Colorado Boulder, an MA in Curriculum and Instruction from the University of Colorado Denver, and a BA in Theatre from the University of Denver.