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Displaying Art in the Early Modern Period

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architectural context
architecture
art history
art market
auction
Back Tenement
Cardinal De
Cardinal de Solis
Category=AGA
Category=AGC
cathedral
Charles III
Clement XIV
collectors
curatorial practices
Della
design
display
Donneau De
Ducal Palace
early modern art
Edinburgh
Ephemeral Installations
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition history
Exhibition Layout
Exhibition Space
Fiestas De La
Fore Tenement
France
Garde Meuble
Gladstone's Land
Gladstone’s Land
Gonzaga
Grand Galerie
Henry IV
historical exhibition space research
Italy
Jacques Andre Portail
Jules Hardouin Mansart
La Font De Saint Yenne
Mantua
museum studies
objects
objet d'art
painting
palace
Paris
Place De La Concorde
Place Louis XV
Pope Clement XIV
Renaissance
Rome
Royal Academie
Royal Manufactures
salon
Salon Exhibition
Scotland
sculpture
Sevilla
Seville
Seville Cathedral
space
Spain
Triumph Monument
Van Loo's Paintings
Van Loo’s Paintings
visual culture analysis
visual studies

Product details

  • ISBN 9781032202884
  • Weight: 490g
  • Dimensions: 174 x 246mm
  • Publication Date: 23 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Description

From aesthetic promenades in noble palaces to the performativity of religious apparatus, this edited volume reconsiders some of the events, habits and spaces that contributed to defining exhibition practices and shaping the imagery of the exhibition space in the early modern period.

The contributors encourage connections between art history, exhibition studies, and architectural history, and explore micro-histories and long-term changes in order to open new perspectives for studying these pioneering exhibition-making practices. Aiming to understand what spaces have done and still do to art, the book explores an underdeveloped area in the field that has yet to trace its interdisciplinary nature and understand its place in the history of art.

The book will be of interest to scholars working in art history, museum studies, exhibition history, and architectural history.
About

Pamela Bianchi is a lecturer in art history and exhibition design at the École Nationale Supérieure d’Architecture de Paris-Belleville (Paris), specialising in the relationship between art and architecture.