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Distraction
Distraction
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A01=Natalie M. Phillips
Attention in Literature
Author_Natalie M. Phillips
Category=DS
Category=DSA
Category=DSB
Cognition and Enlightenment
Distracted Reading
Distraction as Productivity
Diverted Attention in Novels
Eighteenth-Century Prose
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Literary Representation of Mind
Multifocus in Fiction
Philosophical Views on Attention
Product details
- ISBN 9781421420127
- Weight: 544g
- Dimensions: 152 x 229mm
- Publication Date: 08 Nov 2016
- Publisher: Johns Hopkins University Press
- Publication City/Country: US
- Product Form: Hardback
Early novel reading typically conjures images of rapt readers in quiet rooms, but commentators at the time described reading as a fraught activity, one occurring amidst a distracting cacophony that included sloshing chamber pots and wailing street vendors. Auditory distractions were compounded by literary ones as falling paper costs led to an explosion of print material, forcing prose fiction to compete with a dizzying array of essays, poems, sermons, and histories. In Distraction, Natalie M. Phillips argues that prominent Enlightenment authors-from Jane Austen and William Godwin to Eliza Haywood and Samuel Johnson-were deeply engaged with debates about the wandering mind, even if they were not equally concerned about the problem of distractibility. Phillips explains that some novelists in the 1700s-viewing distraction as a dangerous wandering from singular attention that could lead to sin or even madness-attempted to reform diverted readers.
Johnson and Haywood, for example, worried that contemporary readers would only focus long enough to "look into the first pages" of essays and novels; Austen offered wry commentary on the issue through the creation of the daft Lydia Bennet, a character with an attention span so short she could listen only "half-a-minute." Other authors radically redefined distraction as an excellent quality of mind, aligning the multiplicity of divided focus with the spontaneous creation of new thought. Laurence Sterne's Tristram Shandy, for example, won audiences with its comically distracted narrator and uniquely digressive form. Using cognitive science as a framework to explore the intertwined history of mental states, philosophy, science, and literary forms, Phillips explains how arguments about the diverted mind made their way into the century's most celebrated literature. She also draws a direct link between the disparate theories of focus articulated in eighteenth-century literature and modern experiments in neuroscience, revealing that contemporary questions surrounding short attention spans are grounded in long conversations over the nature and limits of focus.
Natalie M. Phillips is an assistant professor of English at Michigan State University, where she is an affiliated faculty member of the cognitive science program and the cofounder of the Digital Humanities & Literary Cognition Lab.
Distraction
€50.99
