Distressing Language

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A01=Michael Davidson
aeolian harp
Age Group_Uncategorized
Age Group_Uncategorized
AIDSHIV
Alison O'Daniel
Alison O’Daniel
appropriation
Audio
Author_Michael Davidson
automatic-update
Captions
Carolyn Lazard
Category1=Non-Fiction
Category=JBCT
Category=JBFM
Category=JFD
Category=JFFG
Catherine Yass
cerebral palsy
Christian Marclay
Christine Sun Kim
Citizens United
communicational feedback
Comprehension
COP=United States
coronavirus
corporate subject
Crip
crip temporality
d/Deaf culture
dDeaf culture
Deaf gain
Deafness
Delivery_Delivery within 10-20 working days
Disability
disability studies
distributed voice
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Error
Georges Canguilhem
inner speech
Jacques Ranciere
Jena Osman
Language
Language_English
Larry Eigner
legal subject
Lipreading
Liza Sylvestre
Malaprops
Mishearing
Misspeaking
Mistake
modernism
mondegreens
non-cochlear music
PA=Available
post-truth
Price_€20 to €50
PS=Active
Redistribution
Robert Fitterman
Shibboleth
slow poetics
softlaunch
sound studies
soundscape
stuttering
The Sound of Metal
Trump administration

Product details

  • ISBN 9781479813841
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Apr 2022
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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The role of disability and deafness in art
Distressing Language is full of mistakes—errors of hearing, speaking, writing, and understanding. Michael Davidson engages the role of disability and deafness in contemporary aesthetics, exploring how physical and intellectual differences challenge our understanding of art and poetry.
Where hearing and speaking are considered normative conditions of the human, what happens when words are misheard and misspoken? How have writers and artists, both disabled and non-disabled, used error as generative elements in contesting the presumed value of "sounding good"? Distressing Language grows out of the author's experience of hearing loss in which misunderstandings have become a daily occurrence. Davidson maintains that verbal confusions are less an aberration in understanding than a component of new knowledge.
Davidson discusses a range of sites, from captioning errors and Bad Lip Reads on YouTube, to the deaf artist Christine Sun Kim's audiovisual installations, and a poetic reinterpretation of the Biblical Shibboleth responding to the atrocities of the Holocaust. Deafness becomes a guide in each chapter of Distressing Language, giving us a closer look at a range of artistic mediums and how artists are working with the axiom of "error" to produce novel subjecthoods and possibilities.

Michael Davidson is Distinguished Professor Emeritus at the University of California, San Diego. His most recent books include Concerto for the Left Hand: Disability and the Defamiliar Body and Invalid Modernism: Disability and the Missing Body of the Aesthetic.

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