Distributed Blackness

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A01=Andre Brock
appropriate technology use
Author_Andre Brock
Black culture
Black cyberculture
Black digital practice
Black discursive identity
Black identity
Black kairos
Black memetic subculture
Black online identity
Black pathos
Black respectability politics
Black techno
Black technocultural matrix
black technoculture
Black Twitter
call-out culture
Category=JBCT
Category=JBSL
colored people time
critical discourse analysis
critical race theory
critical technocultural discourse analysis
ctda
digital practice
discourse analysis
dogmatic digital practice
double consciousness
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
information studies
inte
interiority
internet studies
intersectionality
invention
Jr.
libidinal economy
Man Crush Monday
memes
mobile phones
modernity
networked counterpublics
online community
online identity
post-present
race and the digital
racial battle fatigue
racial enactment
racial formation
ratchet digital practice
reflexive digital practice
respectability as hygiene
rhetorical frame
satellite counterpublic
science and technology studies
social network
sociality
technoculture
weak tie racism
Western technoculture
Woman Crush Wednesday

Product details

  • ISBN 9781479820375
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Feb 2020
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association
Winner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet Researchers

An explanation of the digital practices of the black Internet
From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how "blackness" gets worked out in various technological domains.
As Brock demonstrates, there's nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.

André Brock, Jr. is Associate Professor of Black Digital Studies at Georgia Institute of Technology.

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