Home
»
Divergent Tracks
A01=Dr. Vanessa Theme Ament
A01=Vanessa Theme Ament
Age Group_Uncategorized
Age Group_Uncategorized
Author_Dr. Vanessa Theme Ament
Author_Vanessa Theme Ament
automatic-update
Category1=Non-Fiction
Category=APFA
Category=APFX
Category=ATFA
Category=ATFX
Category=PDR
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
Language_English
PA=Not available (reason unspecified)
Price_€50 to €100
PS=Active
softlaunch
Product details
- ISBN 9781501359224
- Weight: 472g
- Dimensions: 152 x 229mm
- Publication Date: 20 May 2021
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
By examining three case studies of award-winning soundtracks from cult films—Barton Fink (1991), Bram Stoker’s Dracula (1992), and The English Patient (1996)—it becomes clear that major American film communities, when confronted with the initial technological changes of the 1990s, experienced similar challenges with the inelegant transition from analogue to digital. However, their cultural and structural labor differences governed different results.
Vanessa Ament, author of The Foley Grail (2009), rather than defining the 1990s as an era of technological determinism—a superficial reading—it is best understood as one in which sound professionals became more viable as artists, collaborated in sound design authorship, and influenced this digital transition to better accommodate their needs and desires in their work.
"VANESSA THEME AMENT is the former Endowed Chair of Telecommunications at Ball State University, USA. She has worked as a Foley artist on such films as Die Hard, and produced the documentary Amplified: A Conversation with Women in American Film Sound, and is the author of The Foley Grail (3rd edition, 2021)"
Qty:
