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Divine and Poetic Freedom in the Renaissance
Divine and Poetic Freedom in the Renaissance
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A01=Ullrich Langer
Ad hominem
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Allegory
Analogy
Anecdote
Aristotelianism
Assonance
Author_Ullrich Langer
automatic-update
Captatio benevolentiae
Category1=Non-Fiction
Category=DS
Category=DSA
Category=DSBD
Category=DSC
Category=HPCB
Coluccio Salutati
Concupiscence
Contingency (philosophy)
COP=United States
Courtier
Delivery_Delivery within 10-20 working days
Divine Comedy
Divine law
Eloquence
Epic poetry
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Etymology
Ex nihilo
Exordium (rhetoric)
Explanation
Explanatory power
Fideism
Flattery
Foreknowledge
Francois Rabelais
Free will
Freedom of speech
Gargantua and Pantagruel
Generosity
God
Good and evil
Good faith
Greatness
Heroic virtue
Individualism
Indulgence
Language_English
Literary theory
Literature
Loci Communes
Logical extreme
Mysticism
Natural law
Neoplatonism
Nominalism
Of Miracles
Omnipotence
Omniscience
Originality
PA=Not available (reason unspecified)
Panurge
Panurge (opera)
Parody
Pelagianism
Philosophy
Poetry
Predestination
Price_€50 to €100
PS=Active
Religion
Renaissance
Renaissance humanism
Renaissance literature
Safe conduct
Scholasticism
Secretum
Secularization
softlaunch
Sovereignty
Sprezzatura
Supplication
The Freedom of the Will
Theology
Torquato Tasso
Utopia
Writing
Product details
- ISBN 9780691632155
- Weight: 595g
- Dimensions: 178 x 254mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
The closely related problems of creativity and freedom have long been seen as emblematic of the Renaissance. Ullrich Langer, however, argues that French and Italian Renaissance literature can be profitably reconceived in terms of the way these problems are treated in late medieval scholasticism in general and nominalist theology in particular. Looking at a subject that is relatively unexplored by literary critics, Langer introduces the reader to some basic features of nominalist theology and uses these to focus on what we find to be "modern" in French and Italian literature of the fifteenth and sixteenth centuries. Langer demonstrates that this literature, often in its most interesting moments, represents freedom from constraint in the figures of the poet and the reader and in the fictional world itself. In Langer's view, nominalist theology provides a set of concepts that helps us understand the intellectual context of that freedom: God, the secular sovereign, and the poet are similarly absolved of external necessity in their relationships to their worlds. Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Divine and Poetic Freedom in the Renaissance
€97.99
