Divine Generosity and Human Creativity

Regular price €179.80
A01=David Brown
abbot
Abbot Suger
Author_David Brown
Category=QRAB
Category=QRM
Christ Child
Dim Religious Light
Divine Generosity
Dura Europos
Edward III
England's General Synod
England’s General Synod
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
Frank Gehry's Guggenheim Museum
Frank Gehry’s Guggenheim Museum
Garbha Griha
Gerard Van Der Leeuw
Giant Water Bug
Holy Mountain
interfaith art dialogue
Jupiter Optimus Maximus
Naked Light Bulb
Nineteenth Century Scotland
Pope Gregory The Great
religious aesthetics
Religious Architecture
Roman Catholic Canon Law
Roman Catholic Cathedral
sacramental symbolism
sacred space analysis
St Andrew's Cathedral
St Andrew’s Cathedral
St John Nepomuk
suger
symbolic mediation in theology
Syrophoenician Woman
theological imagination
Vincent Van Gogh
visual theology
Wider Issue
Young Man

Product details

  • ISBN 9781472465603
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Feb 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Partly in a desire to defend divine freedom and partly because it is seen as the only way of preserving a distinctive voice for theology, much contemporary theology has artificially restricted revelation and religious experience, effectively cutting off those who find God beyond the walls of the Church. Against this tendency, David Brown argues for divine generosity and a broader vision of reality that sees God deploying symbols (literary, visual and sacramental) as a means of mediating between the divine world and our own material existence. A sustained argument for divine interaction and more specifically the ways in which God speaks in the wider imaginative world, this volume calls for a careful listening exercise since symbols are richer and more open in their possibilities than their users often suppose. Not only is this true of the imagery of Scripture, even inanimate objects like buildings or hostile but creative artists can have important things to say to the believing Christian. An ideal introduction that also moves the conversation forward, this volume addresses foundations, the multivalent power of symbols, artists as theologians and meaning in religious architecture.

David Brown retired from the University of St Andrews as Professor of Theology, Aesthetics and Culture in 2015, having previously held positions at Oxford and Durham. Five major volumes on relations between theology and the arts were published with OUP between 1999 and 2008, with a large edited volume on Durham Cathedral: History, Fabric and Culture (Yale, 2015) his most recent contribution. He was elected a Fellow of the British Academy in 2002 and of the Royal Society of Edinburgh in 2012.

Christopher R. Brewer (PhD, St And) is a Program Officer of the Templeton Religion Trust in Nassau, The Bahamas. He has edited or co-edited six volumes including Christian Theology and the Transformation of Natural Religion: From Incarnation to Sacramentality––Essays in Honour of David Brown.

Robert MacSwain is Associate Professor of Theology at the School of Theology of the University of the South in Sewanee, Tennessee, USA. The author of Solved by Sacrifice: Austin Farrer, Fideism, and the Evidence of Faith, he has edited or co-edited six other volumes, including Theology, Aesthetics, and Culture: Responses to the Work of David Brown.