Divine Light

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A01=Janet Gough
AnglicanChurch
Anglicanism
Architecture
Art
Author_Janet Gough
Category=AFP
Category=AMN
Cathedrals
Christianity
Churches
ChurchOfEngland
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Glassmakers
Glaziers
History
LongNineteenthCentury
Medieval
MiddleAges
NineteenthCentury
Reformation
Religion
ReligiousArt
ReligiousHistory
StainedGlass
TwentiethCentury
Twenty-FirstCentury

Product details

  • ISBN 9781836360278
  • Weight: 320g
  • Dimensions: 165 x 190mm
  • Publication Date: 19 Aug 2025
  • Publisher: Kulturalis
  • Publication City/Country: GB
  • Product Form: Paperback
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"...packed with superb colour photographs... This book is a wonderful companion to cathedral-crawling, not least in helping the crawlers work out what is, and what isn't, worth seeing" - Simon Heffer, Telegraph"

A beautifully illustrated guide" — Premier Christianity

“[The] thrilling tale of the medium’s continuity… is set forth by Janet Gough, the erstwhile director of Cathedrals and Church buildings at the C of E, in her latest book, Divine Light” World of Interiors

"I would recommend that you visit some of these cathedrals, book in hand."The Methodist Recorder

The stained-glass windows of England’s cathedrals illuminate interior spaces, communicate religious and other messages, and – perhaps – offer us a glimpse of heaven. This book tells the remarkable story of these much-loved works of art.

Divine Light features glass from every Church of England cathedral. It spans 900 years, beginning with the windows installed at Canterbury Cathedral following the murder of Thomas Becket in 1170 and representing every subsequent century in the history of English stained glass. Divine Light encompasses the Middle Ages, the Reformation, the hugely productive ‘long 19th century’, the Pre-Raphaelites, the Arts and Crafts movement, the creative commissions of the 20th century, and the innovative glass being commissioned by cathedrals today.

The book establishes the connections between the artistic beauty of stained glass, its effectiveness as a narrative medium, and the various technical developments that have shaped the work of practitioners over the centuries. The refraction of light through coloured glass emerges as an early form of mass communications that retains its power to move and inspire today.  

For eight years the Church of England’s Director of Church Buildings and Secretary of the Church Buildings Council and Cathedrals Fabric Commission, Janet Gough OBE has written four illustrated paperbacks to encourage wider enjoyment of these extraordinary buildings, Director's Choice: Churches of the Church of England, Director's Choice: Cathedrals of the Church of England, Deans' Choice: Cathedral Treasures of England and Wales, and most recently (2025) Divine Light: The Stained Glass of England’s Cathedrals. A Cambridge graduate in History and History of Art, Janet worked at Sotheby’s for nine years, was a trustee at the Churches Conservation Trust, the Museum of Fulham Palace and the Friends of the V&A and guided and lectured at the V&A. Janet advised Royal Mail on the special Christmas 2024 stamps, which featured five cathedrals from across the UK. Janet received an OBE for services to heritage in 2017.

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