Djuna Barnes and Theology

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A01=Zhao Ng
Aesthetic Theory
Author_Zhao Ng
Category=DCC
Category=DSK
Comedy and Tragedy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Evil and suffering
Gender and Sexuality
Life and Death
Literary Worlds
Modernism
Ontology
Psychoanalysis
Theological Anthropology

Product details

  • ISBN 9781350256064
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Jul 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Modernism, religion, and queer bodies come together in this study of Djuna Barnes's writings and art. Examining the role of Barnes’s theological imagination in relation to a phenomenology of suffering, joy, and sexed embodiment, this book unfolds an intricate synthesis of theology, psychoanalysis, and narrative theory to interrogate how queerness informs her art.

Providing an original contribution to religious and literary theory, Ng develops a neo-ontological account of melancholy in relation to the myth of the Fall and provides a novel framework for understanding comedy and tragedy in relation to the question of theodicy.

Presented in light of a large body of new archival evidence, Barnes’s works are also examined for the first time in relation to a wide range of intertextual and intermedial encounters, including the medieval mysticism of Marguerite Porete, Stravinsky’s music, 16th- and 18th-century engravings by Albrecht Dürer and Joseph Ottinger, and French and Russian literature from Baudelaire and Lautréamont to Proust and Dostoevsky.

Zhao Ng is currently a non-stipendiary Fellow at the Rothermere American Institute at the University of Oxford, UK. Previous and forthcoming academic articles include work on Djuna Barnes, André Breton, Wyndham Lewis, Hegel, Lacan, and Heidegger.

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