Documentaries and China’s National Image

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A01=Chen Yi
Author_Chen Yi
Category=AB
Category=ATFR
Category=GTM
Category=JBCT
Category=NH
China's National Image
China's Tv
Chinese Documentaries
Chinese Documentary Film Movement
Chinese Tv
Civil Society
cross-cultural media exchange
cultural studies theory
CYDF
documentary aesthetics analysis
Documentary Channel
documentary production technology market ideology
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Forbidden City
Local Tv Station
media sociology
National Image
Oriental Horizon
Pandemic Prevention
political economy communication
Simulation Diagrams
social transformation China
Spring Festival
Tv Documentary
Tv Drama
Tv Medium
Tv Play Production
Tv Program
Tv Station
Wild China
Yangtze River
Year's Eve Dinner
Young Man

Product details

  • ISBN 9781032315065
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Emphasizing the role of documentary in shaping a nation-state’s image, demonstrating social development and promoting cultural exchanges, this book examines the changes in China’s national image in documentaries at home and abroad since 1949.

Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these works witness, reflect and interact with social transitions in all aspects of a modernizing China, as well as how documentary production struggles among and mediates between technology, market, ideology, social forces and professionalism. In terms of future prospects of documentary in an era when media convergence is burgeoning, the author explores feasible paths to further promotion of cross-cultural communication and China’s national image, by analyzing documentary aesthetics and representative cases of documentary practice.

The title will appeal to scholars and students interested in culture and communication, documentary, film, media and Chinese society.

Chen Yi is a professor at Soochow University, China. His research interests are documentary, critical visual communication and media convergence.

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