Documentary

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A01=John Ellis
audience engagement research
Audiovisual Text
Author_John Ellis
capturing
Category=AB
Category=AF
Category=AJ
Category=ATFN
Category=JBCT
Category=NH
Contemporary Society
cutting
Deeper Portrayal
Dense
digital video analysis
Documentary Encounter
Documentary Subjects
DVD Extra
Dystrophic Epidermolysis Bullosa
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics of representation
eventual
Eventual Viewers
Face To Face
factual
Factual Footage
footage
friedmans
ITN
media studies theory
Media Witnessing
observational
participatory filmmaking
Reality Tv
room
Slow Film
subjects
Surveillance Footage
technological change in documentary practice
Thin Blue Line
Tv Documentary
Tv Footage
Tv Industry
Tv News
Tv News Bulletin
viewer
Violated
visual ethnography
Yangtze River
Young Men

Product details

  • ISBN 9780415574181
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Jul 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Digital technologies have transformed documentary for both filmmakers and audiences.

Documentary: Witness and Self-Revelation takes an audience-centred approach to documentary, arguing that everyday experiences of what it feels like to film and to be filmed have developed a new sophistication and skepticism in today’s viewers. The book argues that documentary has developed a new third phase of its century long history: films now tend to document the encounters between filmers and the filmed. But what do we really know about those encounters?

The author’s extensive experience of documentary production practice also enables him to examine technological changes in detail. Innovations in technology can seem to offer greater realism but can at the same time frustrate attempts to achieve it. John Ellis therefore proposes the idea of ‘Slow Film’ as an antidote to the problems of increasing speed brought about by easy digital editing.

This book is ideal for students studying film, media studies and visual culture.

John Ellis is Professor of Media Arts at Royal Holloway, University of London and formerly a TV documentary producer. He is chair of the British Universities’ Film and Video Council (BUFVC) and past vice-chair of both the subject association MeCCSA and the producers' organisation PACT. He has served as a member of the last two RAE panels. He is author of several books including TV FAQ (2007), Seeing Things (2000) and Visible Fictions (1982), and he published extensively in Screen, Media Culture and Society and other major journals. His work has been highly influential on the development of media and television studies in the UK, USA and Europe.

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