Documentary for the Small Screen

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A01=Paul Kriwaczek
audiovisual narrative structure
Author_Paul Kriwaczek
broadcast journalism methods
Category=AJTF
Category=ATJ
Category=KNT
Character's Internal State
Documentary Maker
Documentary Sequences
Documentary Story
Documentary Technique
Dram Atists
editing workflow strategies
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fiction
Fiction Film Maker
film
Film Photographers
Focal Length
Fowler's Modern English Usage1
Held
Hyperfocal Distance
Incoming Shot
itations
lim
Long Shot
maker
making
Narrow Angle Lens
Natural History Film Makers
nonfiction media production
Playback
Pre-recorded Video Cassettes
production planning research
professional television documentary creation
Real Life
Sm Aller
sound
synchronous
Synchronous Sound
technique
television
UN
View Er
Viewers
visual storytelling techniques
Wide Shot

Product details

  • ISBN 9781138152540
  • Weight: 453g
  • Dimensions: 189 x 246mm
  • Publication Date: 17 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone.

Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone.

Documentary for the small screen is both for those who are new to documentary film-making but want to know how to create productions of a professional standard, as well as for those already working in the medium who wish to improve their skills by taking a closer look at the way they carry out their tasks. It is written in a logical, straightforward way, the first half taking the reader through an analysis of what documentary actually is, to constructing it through developing the story and assembling the appropriate building-blocks. In the second part, the pre-production stages of preparing proposals, costings and outlines, and researching the subject are all carefully examined, as are production planning and the shoot, followed by the post-production stages involved in editing and reviewing the completed film.

Paul Kriwaczek is an award winning documentary maker who has a wealth of experience to pass on, having worked for many years at BBC Television where he wrote, directed and produced documentary, drama, music and science programmes.

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